Example 2

PLAYED IN GROUP OF SIX this example moves quickly through two octaves across the strings, superimposing both F and G major arpeggios/triads over the G chord on the backing track, mixing this with a short scale run (G to finish. Starting on C over a G chord like this is counterintuitive. Moving swiftly to the rest of an F arpeggio then G in this allows you to superimpose this as a ‘passing chord’ type movement.