Guitarist

BOSS GT-1000CORE GUITAR EFFECTS PROCESSOR £599

- CONTACT Roland UK WEB www.boss.info/uk

When Boss introduced the flagship GT-1000 amp modelling and effects floorboard a couple of years back it signified a major refresh for the longrunnin­g GT series, ushering in a number of features: an ultra-fast DSP engine, 32-bit operation and 96kHz sampling rate as well as AIRD (Augmented Impulse Response Dynamics) technology, designed for more realistic amp simulation­s and optimised integratio­n with whatever’s next in the chain. Although more streamline­d than the previous GT models, the original GT-1000 still has the form factor typical of a large floorboard unit, which will not appeal to every potential user, despite its tempting sound and facilities.

Fortunatel­y, now there’s a way for some of those users to buy into the sounds and facilities without the cumbersome footprint: the GT-1000Core delivers the complete internal tone processing of the GT-1000 in a stompbox. It’s pretty much the same form factor as Boss’s 500 series pedals – basically not much bigger that a couple of Boss compact pedals plugged in side by side – making it an obvious contender to add a massive amount of flexibilit­y to even the most compact of pedalboard­s or to sit unobtrusiv­ely on a tabletop for recording or practice.

Equipped with three footswitch­es, the GT-1000Core sports 500 onboard patches (250 preset and 250 user), an onboard looper (38 seconds mono), and a tuner. A USB connection allows the unit to function as a 6-in/6-out audio interface for recording and reamping and to access the free computer-based Boss Tone Studio editing program. The Tone Studio is also available in iOS and Android apps for mobile devices but the GT-1000Core won’t connect via Bluetooth like its big brother.

In Use

Each of the patches is made up from 24 simultaneo­us effects blocks with various series/parallel routing options available. You can have two of the modelled amps in a patch and/or a variety of effects. All told there are 23 amps comprising Boss original creations and emulations of familiar classics, and over 100 effects including some classic Boss pedal effects, effects directly ported from the 500 series, and models of vintage stompboxes. You’re not limited to just what’s onboard the GT-1000Core, however, as two send/return loops enable integratio­n of external effects pedals directly into the internal signal chain, so you can add in your favourite fuzz, for example, and have the option of assigning it to one of the unit’s footswitch­es if desired.

Editing from the front panel is painless and the soft knobs offer instant quick tweaks, but we gravitated to the mousedrive­n ease of the full-colour software editor for building original presets. A range of selectable output types tailors the sound for whatever comes next in the chain.

Sounds

When using a full signal chain with amp/ cab simulation engaged, it’s impressive just how responsive the unit is with a natural push/pull in the playing feel. There are amps to cover all types of electric guitar music, each paired with the appropriat­e cabinet, although if you set the unit to Recording mode you can chop and change cabs, choosing from a variety of built-in speaker and microphone types. If you load your own Impulse Responses, the unit can store up to 16 of them. For use as a source of effects in front of your amp and/or in its effects loop (the unit supports the fourcable method), there are all the everyday effects sitting next to the esoteric, so it’s possible to build a series of well-stocked eclectic ‘pedalboard­s’ for live use.

While the Core’s sonic credential­s are identical to its larger namesake and its compact size confers certain advantages, there’s no getting round the fact that the practicali­ty of having 10 footswitch­es has been compromise­d. Neverthele­ss, there’s a lot you can do with three footswitch­es.

There are two basic modes of operation for them, Memory and Manual, switched between by pressing the second (middle) and CTL 1 footswitch simultaneo­usly. In Memory mode, the first two footswitch­es scroll through and select patches while the CTL 1 footswitch can be assigned to whatever you want in a patch, perhaps tap tempo, switching parallel signal paths or simple effect bypass duty. Switching between patches is remarkably seamless, especially if you set up two very similar

The GT1000Core can expand an existing ’board, and has that amp/effects/speaker sim in one box ‘fly rig’ capability, too

patches with delay/reverb carry over. For onstage switching, many may prefer to pick a patch with all the necessary sounds for a song and operate the unit in Manual mode where the footswitch­es can select functions that are assigned to them in the currently loaded patch. This allows them all to be used to switch individual effects in and out: in convention­al pedalboard action, you may wish for instant access to three effects – a preferred modulation effect, drive and delay, perhaps.

Beyond this, though, the unit has a real flexibilit­y in assigning a host of different functions to the footswitch­es with both toggle and momentary action, letting you really customise how you use it. Should you need more switching and control, there are two inputs that can host more footswitch­es and assignable expression pedals. What’s more, there’s ‘control out’ provision for switching amp channels and control of (or control by) other MIDI devices in your rig.

Verdict

With such a great variety of Boss effects, the GT-1000Core is a shoo-in if you’re looking to expand the capability of an existing pedalboard, but also a great starting point to build a ’board around, making use of those practical send/return loops. It can function wonderfull­y in a standalone capacity, too, and has that amp/effects/speaker sim in one box ‘fly rig’ capability, fitting easily into your guitar case if you’re travelling light. We did find that time spent dialling in tones and setting input sensitivit­y to suit your guitar really raised the authentici­ty and feel of the sounds over the decent factory presets. Away from gigs it’s there to record either raw or fully polished guitar sounds, or always available for plugging in a set of headphones and getting down to some practice at home or in the studio. Boss has taken the guts of the GT-1000 and created a compact powerhouse that will take care of many, many needs.

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 ??  ?? While most of the GT-1000Core’s connectivi­ty is on the back panel, you’ll find USB, MIDI and the second control input here on the side
While most of the GT-1000Core’s connectivi­ty is on the back panel, you’ll find USB, MIDI and the second control input here on the side
 ??  ?? Boss’s Tone Studio applicatio­n offers a practical way to access the unit’s complexiti­es
Boss’s Tone Studio applicatio­n offers a practical way to access the unit’s complexiti­es
 ??  ?? These soft knobs offer instant adjustment of whatever is displayed directly above them on the screen and can select menu options with a push action. In Memory mode, the two footswitch­es move down and up the patch list, loading them instantly
These soft knobs offer instant adjustment of whatever is displayed directly above them on the screen and can select menu options with a push action. In Memory mode, the two footswitch­es move down and up the patch list, loading them instantly

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