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Creative collection Textile treasures by NZ designer Margot Bawden

TEXTILE DESIGNER MARGOT BAWDEN OF HEART ETHICAL CREATES HER OWN DISPLAYS OF NATURE’S BOUNTY WITH AN EMPHASIS ON MAKING BY HAND

- WORDS CANDICE MORATO PHOTOGRAPH­Y YASMINE PARKER

“I want things to be made for longevity. You can like things that aren’t based on a trend” ~ MARGOT

It’s difficult to imagine a more idyllic location for an artist to practise their craft. Standing outside textile designer Margot Bawden’s creative studio on New Zealand’s North Island, your breath is taken away as you view the undulating greenery that is Maraekakah­o Valley in Hawke’s Bay. The stunning location for the artist’s workspace was decided one evening at book club; Margot was searching for a studio, and her friend, Jenny, suggested they move her husband Mike’s fishing and camping equipment aside and lend Margot the space she needed to start her fabric and wallpaper business, Heart Ethical.

Margot now spends most days of the week screen-printing or dyeing fabric in her studio. Organic and natural shapes – all dreamed up by her – cover metres of fabric, cushion covers and an assortment of linen for the home. “I grew up in a family of sewers,” she says. “Getting to go into a shop to choose my fabric for my outfits when I was young, and just being around bolts of cloth, was a total highlight. I just adore fabric and now I get to play with it all the time.”

A mostly self-taught screen-printer, Margot learnt the basics of her new trade a decade ago at a course in Auckland. “It was just enough of the knowledge I needed to get me on my way,” she says. The rest of her understand­ing was gleaned through experiment­ing – and hours on YouTube – but the processes came naturally to the artist, who used to work in digital printing and design.

At the centre of Heart Ethical is the emphasis on having the smallest impact possible on the environmen­t. “When I first looked at having my own textiles business, what I really wanted was something that was natural and to make something with the least amount of chemicals possible,” she explains. Through a fair-trade organisati­on in

India, Margot started working with a hand-loomer, who now supplies her with the beautiful Belgian and French linen she prints on. Her cushions and products are also made by hand in India, then shipped to New Zealand, where they are handprinte­d and dyed by Margot. “It’s a nice little global circle of handmade,” she says. By printing orders by the metre, there’s also minimal wastage, and she can offer the added option of customisab­le pieces by colour or fabric. “I don’t think I should dictate to people what they should like,” says Margot. “I don’t want to necessaril­y be trend-based.”

While there are bespoke elements to Margot’s work, Heart Ethical’s core collection­s are purely the result of her artistic whim. “My inspiratio­n usually comes when I’m relaxed, so often on holidays,” she says. Case in point is her latest series, ‘The Lake Collection’ – all of the designs were the product of one camping trip at Lake Taupo. The shadows of Kōwhai trees cast onto the tents, and discovered “jaunty” ferns in the undergrowt­h, all became sketches and in turn part of Margot’s textiles.

It’s easy to get a sense of the joy that was felt when these designs came to be. “I walk into my studio and time disappears,” says Margot. “It’s so special to be able to do what I love. In time, my growing business will help me to look after my family, and in a way that doesn’t impact the Earth.”

 ??  ?? THIS PAGE: Heart Ethical sits atop the rolling green hills of Maraekakah­o Valley in New Zealand’s Hawke’s Bay. OPPOSITE, TOP LEFT: A batch of ombre-dyed cushions, which is part of Margot’s ‘The Lake Collection’, are hung to dry before they’re...
THIS PAGE: Heart Ethical sits atop the rolling green hills of Maraekakah­o Valley in New Zealand’s Hawke’s Bay. OPPOSITE, TOP LEFT: A batch of ombre-dyed cushions, which is part of Margot’s ‘The Lake Collection’, are hung to dry before they’re...
 ??  ?? THIS PAGE, TOP LEFT: Margot in action as she screen-prints. TOP RIGHT: Glorious views of the valley provide plenty of inspiratio­n. BOTTOM LEFT: Quick pencil sketches work together to help feed further design ideas. “Often I just design with pencil...
THIS PAGE, TOP LEFT: Margot in action as she screen-prints. TOP RIGHT: Glorious views of the valley provide plenty of inspiratio­n. BOTTOM LEFT: Quick pencil sketches work together to help feed further design ideas. “Often I just design with pencil...

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