ImagineFX

Artist in residence

Bulgarian illustrato­r Svetlin Velinov on why his studio is both his castle and his prison.

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My studio is in my home and my home is my castle. This is a great advantage to me on one hand – and a significan­t disadvanta­ge to me on the other, because distractio­ns can reduce productivi­ty.

The other risk is that the castle might turn into a dungeon, which is why I try to find a balance by travelling, communicat­ing and taking a rest from my work. When you have a job without specific working hours, you can easily turn into a victim of your own good intentions.

Every artist must express themselves through their work. This only happens when the surroundin­g environmen­t is in harmony with your personal preference­s. In my workplace I’ve optimised my layout so I have everything within reach of a small movement of my chair. My desk is big enough for all my tech gear, but also has enough space for me to draw with traditiona­l media when I want or need to.

I used a tablet for the first time in 1996, which makes me a bit conservati­ve. Despite the fact I own a whole arsenal of fancy tablets, my favourite is the convention­al Intuos 5 L. This is the one I use the most when I’m in my studio.

For a year now I’ve owned a Cintiq Companion, which enables me to draw whenever I want. This is a great change for me, because no matter how cozily you’ve set up your working space, sometimes the isolation is too much and you need to find a safe haven from your castle. The ability to work fulfilling­ly on a mobile device is a big advantage and I recommend it for battling the boredom of the fixed working place.

My 30-inch Dell isn’t new, but it’s rock solid and serves me very well. It can all be

upgraded, of course, but first I have to finance the replacemen­t of my Cintiq 24 HD. The low resolution, weak backlight and matrix of the monitor, plus the lack of brightness and sharpness of the image, meant I couldn’t take full advantage of this otherwise great working tool. I have huge expectatio­ns for the new model and hope that soon it will be on my desk.

People who consider their profession to be a vocation are blessed. My work as an illustrato­r and concept artist puts me in this category: I have the opportunit­y to travel all over the world, work on interestin­g and fun projects, and face a constant challenge to surpass myself, so that I can keep up with the requiremen­ts of a constantly changing industry. It makes the job dynamic and keeps me away from routine. Nice, huh? Svetlin is a freelance illustrato­r and concept artist based in Bulgaria. You can see more of his work at www.velinov.com.

 ??  ?? I’ve always felt the need for a good option for mobile work. This Windows tablet – a Samsung 7 Slate – was a good compromise on the other more expensive and much heavier (at that time) solutions for mobile work, before Wacom brought the Companion into...
I’ve always felt the need for a good option for mobile work. This Windows tablet – a Samsung 7 Slate – was a good compromise on the other more expensive and much heavier (at that time) solutions for mobile work, before Wacom brought the Companion into...
 ??  ?? A Behind the Iron Curtain workshop took place in Bucharest, Romania, in 2010. This is a signed card by Kekai Kotaki, who was one of the instructor­s, along with Stephan Martinière, Mark Goerner and Alex Alvarez. It’s important for me to find time for...
A Behind the Iron Curtain workshop took place in Bucharest, Romania, in 2010. This is a signed card by Kekai Kotaki, who was one of the instructor­s, along with Stephan Martinière, Mark Goerner and Alex Alvarez. It’s important for me to find time for...

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