ImagineFX

Lauren Panepinto

Orbit Books’ art director gives the other side of the story…

- http://ifxm.ag/lp-orbit Lauren has been responsibl­e for designing book covers for publishers such as Picador, Yen Press and Orbit Books.

Are companies underpayin­g their freelance artists?

Artists don’t know manufactur­ing costs, price margins, wholesale versus consumer prices, advertisin­g, staffing and so on. All of these factors and more go into what a company’s art budgets are. Of course, I want every artist to make a fair living wage, but they might be surprised to find out that many companies can’t afford to pay it.

How can artists decide whether or not a job is worth their time?

An artist needs to be aware of the quality of their work and the speed at which they work. From that they should calculate a target hourly rate and know that if they take a job under that rate there had better be a good, non-monetary reason.

Would you ever recommend working for free?

You should always work for something – even if it’s not for money. You can work for experience, for exposure, for charity, for a favour, for a relationsh­ip, for barter, for company stock, for finished product. Just make sure that something you’re working for is a sure thing, not a vague promise.

How can you ensure exposure?

You should do your research on the company, look at their social media channels. You can write up a contract that guarantees publicity and social media sharing. Any freelance I do is often for friends and it’s always for barter. Either their project does something I want, or they barter with leggings or whiskey. A job doesn’t have to pay exclusivel­y in money to be worthwhile, but you have to weigh it out seriously.

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