ImagineFX

Dave Brasgalla

The artist reveals why and how he uses Apple’s latest tablet

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What drove your decision to buy an iPad Pro?

I’ve loved finger-painting on the iPad from the very first model, but as I return more to traditiona­l art as well as digital, I’ve found myself craving that feeling of a pen or pencil in my hand. There’s a definite difference in mark-making between using one’s finger and using a stylus. The combinatio­n of the larger screen Pro with the promise of the Pencil was irresistib­le. I knew after watching the introducti­on presentati­on for the Pencil I’d be getting the pair.

Is there anything else you use the iPad for?

I sometimes prop it up and use it to display reference next to my easel when I’m painting traditiona­lly. But I always worry I’m going to smear it with paint. I’ve used it a few times at life-drawing classes, which was fun. Although I prefer a simple sketchpad and pencil there to keep life simple.

What apps are you using with it?

I use Procreate almost exclusivel­y. The team is so obviously dedicated and is responsive and engaged with the users, which is a huge factor. But the app itself is perfect: robust, elegant and simple. They just keep making it better! Dropbox is also on my iPad, which is really useful for shifting files around.

Are there any things you would particular­ly like to see in updates, or standout features you already love?

I really feel that the promise of the original iPad as a tool for artists is now being fully realised with the Pro and Pencil pairing, along with the amazing job being done by the Procreate team. These three elements together make a very winning, very portable combinatio­n that easily produces industry-standard output, and I’m very pleased with the purchases!

 ??  ?? www.pixelhuset.se Dave is a Stockholm-based illustrato­r and designer, as well as a partner and senior designer at The Iconfactor­y.
www.pixelhuset.se Dave is a Stockholm-based illustrato­r and designer, as well as a partner and senior designer at The Iconfactor­y.

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