ImagineFX

HAVING A LIGHT TOUCH

Profession­al creative kit, an organised setup and a lot of dusty figures comprise this artist’s studio

- Jens is a concept artist and illustrato­r working in the entertainm­ent industry. See his art at www.jens-fiedler.com.

The quality of light is important to Jens Fiedler, which is why he’s chosen fixtures and fittings that banishes the gloom from his studio.

My studio closely resembles my own character. It personifie­s my current career path of being a full-time, well-organised freelancer for over 10 years, and a long-time fan of video games (30 years and counting!).

I love to play with light both in my images and my studio. That’s why I’ve chosen to work in a bright room with big windows, which also allows some fresh air into the room from time to time. The right lighting has a big impact on your workstatio­n and the speed at which your pieces progress, especially at night. I’ve even chosen lightly coloured pieces of furniture to help brighten the room; they make the relatively small space feel bigger and less constricti­ng.

But my studio also needs a bit of personalit­y here and there, which helps me to feel comfortabl­e and also makes for a more interestin­g place to spend most of my day. Because

I like all kinds of visual stimuli, I make the most of my small space by displaying a wide range of different objects for inspiratio­n. So I’m constantly collecting research materials such as comics, art books, books about nature, video games, and statuettes and figurines.

However, I have a constantly changing collection. If I feel that a book or a figure isn’t supporting my current art style or no longer has the same kind of impact, I’ll replace it with a new one. This helps me to keep focused on my work, without giving up on the personalit­y of my studio.

I try to maintain a good balance between objects that are either interestin­g to look at or remind me of my goals, and the functional­ity of my workstatio­n. This ensures it's not just a room to work in – it's also a space to reflect my personal progressio­n as an artist. So who knows what my room will look like in a couple of years’ time…

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 ??  ?? I use this wall to display reference sheets. The number of tiny holes in the wall are proof of a constant flow of work assignment­s. Perhaps I should invest in a corkboard? Here’s the muscles of my studio. My iMac, with its brilliant screen, enables me...
I use this wall to display reference sheets. The number of tiny holes in the wall are proof of a constant flow of work assignment­s. Perhaps I should invest in a corkboard? Here’s the muscles of my studio. My iMac, with its brilliant screen, enables me...
 ??  ?? I often like to mix modern and traditiona­l elements, to create interestin­g contrasts in my art.
I often like to mix modern and traditiona­l elements, to create interestin­g contrasts in my art.
 ??  ?? Even if I never show them to anyone, I love and hate my sketch books. They’re proof that I have plenty of room to grow as an artist. I should use them!
Even if I never show them to anyone, I love and hate my sketch books. They’re proof that I have plenty of room to grow as an artist. I should use them!

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