Re­fine the anatomy

ImagineFX - - Workshops -

I sep­a­rate the fig­ure and back­ground onto two lay­ers, then lock the back­ground layer while paint­ing on top of the fig­ure layer and grad­u­ally merge the new lay­ers down. I set the new paint­ing lay­ers as Nor­mal for lit ar­eas and Mul­ti­ply for shad­ows. Us­ing a Hard Round brush that’s set to 30 per cent Opac­ity and 60 per cent Flow pro­vides a good amount of soft­ness. Be­cause the colour rough is very sketchy, lots of ar­eas still need more def­i­ni­tion and cor­rec­tions. Be­fore I spend a lot of time on de­tails, it’s im­por­tant to get the anatomy of the fig­ure right first.

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