ImagineFX

Anatomy advice

Anatomy expert Chris Legaspi presents his tried and tested strategies for achieving accurate foreshorte­ning in figure drawing

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Foreshorte­n the figure.

Using good observatio­n and simple strategies, achieving proportion­ally accurate perspectiv­e can be simple and fun. I first see the figure as simplified geometric forms. The most useful form for describing perspectiv­e is the cylinder, because it’s both round and straight in character. As such, it’s ideal for describing the position of a form.

Position is where a form is in threedimen­sional space. The keys to position are direction and eye-level. Direction refers to which way the form is moving, while in terms of eye-level, I can either be above or below the form.

The primary tools I use to achieve perspectiv­e are tapering cylinders, crosssecti­ons and overlaps. A tapering cylinder both mimics the natural forms of the body and also suggests perspectiv­e. Crosssecti­ons are the curved lines that segment a cylindrica­l form. If my eye-level is below the form, then my cross sections will curve up, and vice versa. The exceptions to this rule are when the form moves toward or away from me in perspectiv­e. In either case careful observatio­n of the direction is the key.

I use overlaps to achieve deep perspectiv­e. I’ll often exaggerate existing overlaps or sometimes create my own. This gives me one more layer of depth that really helps to push the illusion of foreshorte­ned, three-dimensiona­l form.

Chris is keen to share his knowledge of art theory. You can see more of his work at www.freshdesig­ner.com.

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