Colour struc­ture

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The brief­ing was that Oliveira should be red-headed. To high­light this, I give the back­ground a wash of green tones, the com­ple­men­tary colour to red. In fact, this de­ci­sion ended up guid­ing the whole colour struc­ture. The paint­ing has colder hues in the back­ground and warmer hues in the fore­ground.

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