Re­fin­ing the leather

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Once I have all of the leather out­fit blocked in, I add folds and stitch­ing. My main goal here is to add en­ergy to the char­ac­ter while mov­ing the viewer to her face. Take a mo­ment to no­tice the three ar­eas of skin that show on her torso. Each one is an ar­row shape that points back to her face.

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