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Art therapy

Road to recovery How effective is art as a healing technique for artists? Julia Sagar speaks to artists, gets expert opinion and examines the evidence…

- Readers – what do you think about this topic? How effective is art as a tool for healing, and what experience­s have you had? Email mail@imaginefx.com with your thoughts.

How effective is art at healing? We get expert opinions and examine the evidence…

If you’ve bought anything from Amazon in the past three years, you’ll have probably noticed a surprising number of adult colouring books topping the best-seller lists.

Once a niche, colouring books for adults are now big business, with users extolling their calming virtues. But why? How effective is art as a therapeuti­c technique? And does that mean artists are the most well-adjusted people on the planet?

Scottish illustrato­r Johanna Basford, whose colouring books for grown-ups have sold over 16 million copies worldwide, attributes their popularity to two aspects: accessibil­ity, and a nostalgic craving for non-digital activities. “I get so many emails from people in all walks of life to say the books have helped them through a tough patch,” says Johanna. “From stressed-out 911 call operators in the US, to teens recuperati­ng at eating disorder centres, elderly folks struggling with Alzheimer’s or new mums with post-natal depression.”

The therapeuti­c benefits of art have long been documented. And while psychother­apists point out that colouring isn’t an automatic ticket to mindfulnes­s, they do agree that the process of art-making can be a health-enhancing practice, which positively impacts the quality of life.

Cathy Malchiodi is an internatio­nal expert, writer and educator in the fields of art therapy and art in healthcare. She believes that while there are of course times when we need some profession­al support – whether that be from a therapist, doctor, mentor, friend or a community as a whole – art exists as a natural remedy for many of life’s challenges, loss and trauma in particular.

“There isn’t any one particular way that this occurs,” Cathy says, “but many artists have used their creative process to cope with their depression or other issues. Each person has his or her own path to reparation and recovery.”

A quick look at the rich heritage of famous artists who have explored intense psychologi­cal themes in their work proves Cathy right: Jean-Michel Basquiat, Edvard Munch, Vincent van Gogh… the list goes on. Whether the process is a vent, time out or something more complex altogether, it’s clear that people have long sought therapeuti­c participat­ion in art.

One strategy among many

For concept artist Darren Yeow, it’s proven useful as one of myriad mental healthcare strategies he’s undertaken over the years. However, he points out that art didn’t cover up some serious aspects of mental health, which needed the guidance and feedback of a profession­al counsellor.

Darren was a victim of sexual abuse when he was young and says that he struggled with the fallout for many years. As a child, he drew lots of monsters and “angry, scary-looking things”. He explains: “That’s probably why I liked to draw Venom, Wolverine and Batman: torment was almost a superpower for those guys. When I drew them, I felt like I channelled some of that hurt out on to the paper. It was just an unconsciou­s act of self-soothing.”

In his teens, Darren turned to martial arts as a way of regulating his feelings of shame and hurt, preventing them from morphing into physical violence. Everything was

I liked to draw Venom, Wolverine and Batman – torment was almost a superpower for those guys

fine until a few years ago when, working as a profession­al artist, a period of significan­t business and personal stress brought up a torrent of latent anger.

“I found that I hadn’t really tackled the underlying issues,” Darren admits. “When a particular­ly stressful incident occurred and I couldn’t recall that I had punched a hole in the wall as a result, I felt it was time I needed to seek out profession­al help in dealing with my emotions, before things spiralled out of control.”

There’s another angle, too. As every artist knows, the process of making art isn’t always relaxing. For freelancer­s it can be lonely stuck at home in front of a screen all day, and for all creatives it can be frustratin­g – as Toronto-based illustrato­r Rebecca Yanovskaya knows only too well. “As much as I love art-making, it brings me a certain amount of anxiety as well,” she says, “because of the need to create great pieces and live up to my expectatio­ns.”

So what about profession­al art therapy? Do artists have anything to gain in a profession­al forum? Rebecca has visited an art therapist before. She remains unconvince­d as to how effective art can be as a therapeuti­c technique for working artists. “We’re immersed in art in a money- making capacity,” she argues. “Therapy for us might work better if it’s something far removed from what we do every day.”

No n-artists can still benefit

However, Cathy thinks there can be as much value for artists as for non-artists, as long as participan­ts are committed to the process. “If one wants another perspectiv­e, and to experience art-making in a different way, then art therapy might be helpful,” she says, “especially since one of its goals is to guide the individual toward new insights and experience­s that support a sense of wellbeing through art.”

For anyone thinking about getting involved, there are plenty of options. “Online art-making communitie­s offer art-making experience­s for self-exploratio­n and selfcare, rather than therapy per se,” she says. “Artists who are new to the idea of making art as self-care or as self-exploratio­n may find this approach uncomforta­ble at first, but give it a shot; it sometimes even provides a new direction for your own artistic style and intentions.”

Just remember to leave your ego well out of it, warns Rebecca – and Darren agrees: “Don’t turn it into a study session or illustrati­on assignment,” the artist advises. “There’s no need to impress other people. Just let the stylus flow.”

We’re immersed in art… therapy for us might work better if it’s something far removed from what we do

 ??  ?? Transient, by Allen Williams, who sketched many pieces through his treatment and recovery from cancer. Darren Yeow says art – like this piece, Astro – can help as an outlet for certain feelings.
Transient, by Allen Williams, who sketched many pieces through his treatment and recovery from cancer. Darren Yeow says art – like this piece, Astro – can help as an outlet for certain feelings.
 ??  ?? The creative process can actually induce feelings of anxiety, as Rebecca Yanovskaya points out. In his younger years, Darren drew characters like Venom, Wolverine and Batman a lot.
The creative process can actually induce feelings of anxiety, as Rebecca Yanovskaya points out. In his younger years, Darren drew characters like Venom, Wolverine and Batman a lot.
 ??  ?? An illustrati­on from Johanna Basford’s adult colouring book, Lost Ocean.
An illustrati­on from Johanna Basford’s adult colouring book, Lost Ocean.
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 ??  ?? For Revelation #1, Rebecca used ballpoint pen with 22k old leaf applique. Mountains is a client piece by Darren, but landscapes have also featured in his self-administer­ed theraputic artwork.
For Revelation #1, Rebecca used ballpoint pen with 22k old leaf applique. Mountains is a client piece by Darren, but landscapes have also featured in his self-administer­ed theraputic artwork.
 ??  ?? Darren saw torment as almost a superpower for characters like Wolverine. Johanna’s customers find solace in her adult colouring books – in the simple pleasure of putting pen to paper.
Darren saw torment as almost a superpower for characters like Wolverine. Johanna’s customers find solace in her adult colouring books – in the simple pleasure of putting pen to paper.

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