Any tips for painting a close-up of a creature’s open mouth?
Derek Smith, England
Allison replies
First, ask yourself what kind of creature are you painting? Everything comes back to form and function. In this instance I have apex predators with high bite forces on the brain: something wrapped in muscle, with thick jaws and a big, bone-crunching gape, but with a bit of an underbite and protruding chin for a slightly slicker profile. I start with a quick profile sketch and then, once I’m satisfied with a direction, work this into a three-quarter perspective view to better display the mouth.
I opt for big chunky gums and envision the roots of the teeth go deep into the skull. Once I settle on a tooth arrangement I tackle the tongue, and chose to have it whipping out to help give the head a more dynamic sense of movement. I also introduce a relaxed lip line to reinforce a mouth that’s slightly closing as it turns, as opposed to one that’s stretched taut during maximum gape. Finally, I add specular reflection and strings of saliva, the direction of which also reinforces the head turn and adds to the beast’s momentum.