The thing with life draw­ing is…

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When the model re­turns, she asks can she change her hand po­si­tion for bet­ter bal­ance. This is no prob­lem be­cause I rarely work on parts in de­tail and had barely sketched the hands. The thing with life draw­ing is that the model will shift slightly here and there, which isn’t en­tirely a bad thing, be­cause it stops you from get­ting caught up in de­tail. With the draw­ing al­most done, it gives me time to study and blend the con­nect­ing mus­cles. At this point I’m start­ing to con­sider style by mak­ing the lines more ges­tu­ral.

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