ImagineFX

LEARNING TO FIND YOUR FORM

Jason explains how you can grasp the most important aspect of visual art…

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“When I first started studying, I often felt frustratio­n at how slowly things were moving. Then, about six months in, that changed. I learned two things: how to measure accurately with my eyes, and form.

I was annoyed that my studies from observatio­n looked little like their subjects, so I started training myself to line up features and elements, measuring things with my eye, comparing the size, angle and shapes of those elements to others in the subject. With practice, I was able to more accurately capture my subject. I’d sketched Krillin from Dragon Ball Z and noticed that his forearm looked more like a real forearm! That was when I first realised that I had progressed.

Form was something I learned from Andrew Loomis, especially his book Drawing the Head & Hands. I focused on constructi­ng planes that recede and advance through space, which made it so much easier to determine lighting, place features, foreshorte­ning – everything. Krillin and the other drawing here are from between 2006 and 2008. Compare them to, say, The Bather [page 42], and you see that the most important aspect of visual art is an understand­ing of form.””

 ??  ?? Two of Jason’s biggest breakthrou­ghs were learning form and how to accurately measure with his eyes, the developmen­t of which can be seen in this early sketch. From Andrew’s book, Drawing the Head & Hands, Jason learned key compositio­n skills such as...
Two of Jason’s biggest breakthrou­ghs were learning form and how to accurately measure with his eyes, the developmen­t of which can be seen in this early sketch. From Andrew’s book, Drawing the Head & Hands, Jason learned key compositio­n skills such as...

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