Inside Out (Australia)

PROFILE Indigenous artist and photograph­er Brad Turner reveals how his journey into spirituali­ty helped him heal

This Bundjalung Country artist takes a spiritual approach to Indigenous art, using a unique mix of colours in his inspiring work

- LAURA BARRY

Who are you influenced by? When I was starting out, I was lucky enough to connect with [artist] Karina Jambrak after she bought one of my original paintings. She has not only been a huge inspiratio­n but has helped and encouraged me profession­ally. Another inspiratio­nal Indigenous creative is Lowy Wright from Salty One Here. I am lucky to own one of his limited-edition prints and it has a special place in our home.

What was the most challengin­g aspect of the business set-up? The operationa­l side of the business is the most challengin­g; being able to juggle all the moving parts at once can be difficult. As a creative person, it’s not really something that I like doing, but it is necessary and I’m grateful to have a supportive family and network behind the scenes.

Do you have a spiritual connection to your art? Each time

I paint, it’s such an intuitive experience. Every piece of artwork has a part of me, a spiritual connection. It’s amazing - I can remember every piece and the unique stories behind them. I thrive on bringing an idea to life but also feel a great sense of responsibi­lity, as an ambassador for my community and culture.

What is your creative process or ritual for getting into the right mindset to create? Start with a clear space and an open mind. I love working from home as it allows me to be completely relaxed and comfortabl­e, getting me into the right mindset to come up with new ideas. Another ritual is to play music. My favourite artist to paint to is Xavier Rudd.

How does the commission­ing process work for you? Each commission­ed piece is one-of-a-kind. It allows the client more flexibilit­y as the artwork can be customised to suit their individual palette, aesthetic and story. The first step in the process is to get a feel for what the client is after; we do this step online by completing a form. This gives me an opportunit­y to better understand the client. Before I start to paint, I contact

THIS PAGE (from top left ) Framed Kubill Buggerraju­ng

canvas print by Brad Turner, $695 from The Block Shop. Brad and one of his limited-edition prints, Nyunga, from $320, available on his website. Brad can customise denim jackets, like this jacket, worn by his daughter Ariah, who’s 10. Framed Chagun Wongara canvas print by Brad, $695 from The Block Shop. Brad working on a commission. OPPOSITE Brad hard at work on a new painting in his home studio.

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