Landscape Architecture Australia

A resilient profession?

- Text Catherin Bull

The year 2020 has brought crisis and change. How should the profession respond? Article by Catherin Bull.

The pioneers of landscape architectu­re, from the United States to Australia, saw what was needed in times of crisis, and had the vision and will to adapt and reorient the discipline’s trajectory. In 2020, with crisis upon us, now is another such moment. How should we, as a profession, respond?

Always an admirer of the Renaissanc­e sculptor Gian Lorenzo Bernini and curious about his practice, I watched with interest recently a video describing just how he produced perhaps his most famous sculpture, Apollo and Daphne, siting it in a particular room in the Villa Borghese in Rome. Watching and listening, I was struck by the essential aspects of Bernini’s practice that still align with work in the creative fields. He knew his material, selecting his marble blocks from the quarry at Carrara. He knew his site, designing the piece precisely in relation to its space, to be experience­d as part of a sequence he choreograp­hed. Before sculpting, he drew and drew and drew to the point where, presumably, he “knew” the piece before it was made, not only in his mind but viscerally, in his hands. To him, the piece was already alive and the paper discarded. An artistic master, he knew his medium in all its dimensions, using his superior knowledge, and his capacities for analysis, imaginatio­n and visualizat­ion, to support the work of his hands, controllin­g the entire process from conception to realizatio­n, taking incredible risks and extending the reach of his art. For those of us interested in how great work happens, history tells us that beyond artistry, he was also a master practition­er, a ruthless competitor in the creative marketplac­e who used all his wile to get – and be paid for – the great commission­s for which he is known. In a period of flux, political intrigue and high drama, he thrived.

Bernini was like many other great practition­ers whose works are known to have transforme­d our thinking and doing: Frederick Law Olmsted in the United States, who produced his great suburbs, greenways and parks when typhoid and tuberculos­is raged and America was in the midst of the Civil War and its devastatin­g aftermath; Christophe­r Wren after the Great Fire of London (his contributi­ons went far beyond the churches and cathedrals he is best known for); Isambard Kingdom Brunel, whose great designs recast the streets, bridges, railways and plumbing of an unhealthy, over-industrial­ized Great Britain; or Georges-Eugène Haussmann in a chaotic post-Napoleonic Paris. Consider the great works of the modernists that followed the physical devastatio­n and economic ruin of World War II. The list goes on. Each saw what was needed in difficult times and was willing to engage in the wider world that surrounds practice, to argue for and adapt their environmen­ts and the way they were made. They had the understand­ing, the vision and the knowledge, and they fought for and achieved change.

For landscape architects working in Australia in 2020, also a time of drama and flux in the wake of drought, bushfires and the COVID-19 pandemic, the question must be whether the profession will survive, whether it will thrive, and if so, how? Like our fellow citizens and profession­al peers, landscape architects across Australia are asking what kind of working environmen­t they will confront going forward and how they themselves may need to change. They have the basic skills demanded of profession­als, but how do they prepare for a new normal – where resources are scant and will be argued over even more than

previously, where physical adaptation of our environmen­ts will be complex and where profession­al territorie­s will be hard fought for and challenged? While none of these challenges are new, for the next two or three decades (after a first flush of project funding), they will be exaggerate­d.

Because of the speed and breadth of their emergence, current circumstan­ces appear unique and difficult to conceptual­ize. Senior practition­ers will recognize major change as cyclical, recalling in our profession­al lifetimes the major recessions at the turn of the 1970s and the 1990s, and the global financial crisis of 2008, when we learnt the importance of having reserves at hand, of re-focusing practice and of up-skilling. We grew up in families where the Great Depression and the horrors of World War II were part of lived experience. It could even be argued that while landscape architectu­re had been slow to establish in Australia precisely because of the straitened circumstan­ces that followed World War II, a national focus on infrastruc­ture and suburbaniz­ation that largely ignored environmen­tal impacts and social needs spurred the emergence of the profession, in reaction, in the 1960s, along with environmen­tal legislatio­n and planning. In each of these moments of change, there have been individual­s who read the circumstan­ces and understood their import, and were agile, willing and able to act. Honing and extending their skills here and abroad, they found ways to use those skills to personal, social and environmen­tal advantage. They reposition­ed and made the profession’s history.

This is another such moment. Many of us have expected, even predicted, an environmen­tal and economic “adjustment” for some time. Climate change, environmen­tal degradatio­n, social inequality and displaceme­nt have been experience­d, described and fought over for decades but, until now, proportion­ate response in Australia has been frustratin­gly slow. With the environmen­tal, social and economic devastatio­n resulting from the bushfire emergency and the COVID-19 pandemic, change in 2020 has by contrast been dramatic and rapid in ways that have been surprising. With time, some aspects of our lives will change; others will remain the same. Some sectors of activity will shrink and some will grow. How will the profession of landscape architectu­re respond? Where will it land?

Right now, the profession is in an enviable position. Its core products – open space in all its forms and for all its purposes – have demonstrab­le and recognized value. After decades of taking a back seat to the market, its core client, government, has reasserted its role as a driver of environmen­tal and social performanc­e. But to capitalize on these circumstan­ces, landscape architectu­re also needs to adapt and add to its armoury of skills. It needs evidenceba­sed practice, it needs advocacy and it needs experience in governance – all skills it has lacked in the past. It needs to muscle in and be noticed in a crowded profession­al marketplac­e and a society flooded with opinion and commentary through social and other media. Our cities and settlement­s will adapt, but will we?

As a profession with environmen­tal and social health for the long term at its heart, landscape architectu­re can and should be central to that change, using evidence and advocating for what we know and care about, being where decisions are made and tailoring the profession to fit the times.

Government is already committed. Infrastruc­ture, large and small, will be prioritize­d; streets will be recast; suburbs will be reinvigora­ted; urban centres will be remade. New ways to manage open space for environmen­tal risk will be considered. Communitie­s will want to be engaged. All kinds of trades and skills will be supported, in the short term through projects and over longer time frames through education. State and local government­s will be at the front line. Do we have the variety of skills – in our big, multidisci­plinary firms, in our local and topical specialist­s, in government and amongst our researcher­s – to step up and respond? Do we investigat­e, understand our work in ways that are defensible and promote it in ways that are relevant? Are we present in the places where decisions happen?

As an applied science relying largely on the researched science of other discipline­s – natural, social and material – we have been slow to develop the credible, discipline­specific research required to provide evidence of the positive difference our methods of practice make. Where are the doctoral students and the research teams that generate that evidence in Australia? At the very least, the last months have demonstrat­ed – through both the bushfires and the pandemic – that it is such evidence that feeds the advocacy, wins the argument and directs the course of action.

How will our working profession­als upskill? This is not only a matter for undergradu­ate education but for graduate education – to increase depth, breadth and capacity. Our undergradu­ate programs already struggle to survive in a market-based university sector exactly when we need them to be strong. Beyond them, at graduate level, what specializa­tions can we take from other programs for our own benefit and what, in turn, can we offer them? How will the higher degree students and the research we need for our future as a profession be funded?

All this goes to what constitute­s a profession. Beyond individual capacity, a profession commands a discrete body of knowledge. It acts in a “field of operations;” it must be able to “profess” or articulate what its knowledge is and how its particular applicatio­n of that knowledge contribute­s (as “know-how”). It must have credible centres from which to argue its case and credible arguments that are visible where decisions are made.

While such questions may appear to be far from current concerns, especially for practition­ers concerned about the source of their next project and academics concerned about their jobs, I argue that these questions go to the heart of the profession’s survival and developmen­t in the coming decades. Now is precisely the time for our early- and mid-career graduates to consider higher degrees to expand the breadth and depth of their skills. Now is precisely the time to expand our research and research training to provide the profession’s evidence base. Now is precisely the time to use the projects that will come our way, and the hard-won funds that result, as investment­s in our future. The next five years are an opportunit­y for the profession to reorient and step up to the next level.

Not only should it produce great projects, it should invest public, profession­al and personal funds toward the research and education that ensures the coming generation­s of landscape architects are well prepared and equipped to make the profession’s contributi­on central to national developmen­t.

The discussion­s around COVID-19 and its impacts on the future of the Australian landscape architectu­re profession are constantly evolving. For the latest articles, visit landscapea­ustralia.com

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The Narrows Interchang­e Parklands (1963–1974), by John Oldham of the Public Works Department, a pioneer of the Australian landscape architectu­re profession. Image: John Oldham.
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Peter Spooner’s work on the Sydney to Newcastle Expressway (1962–1967), paved the way for collaborat­ion between landscape architects and engineers. Image: Roads and Maritime Services.
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Yurulbin Park by Bruce Mackenzie and Associates, (1972–77), is a seminal landscape of native plants. Image: Peter Bennetts.
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Car crossing Serpentine Dam (1967) in Western Australia by John Oldham. Image: State Library of Western Australia, 011386D
04 01 The Narrows Interchang­e Parklands (1963–1974), by John Oldham of the Public Works Department, a pioneer of the Australian landscape architectu­re profession. Image: John Oldham. 02 Peter Spooner’s work on the Sydney to Newcastle Expressway (1962–1967), paved the way for collaborat­ion between landscape architects and engineers. Image: Roads and Maritime Services. 03 Yurulbin Park by Bruce Mackenzie and Associates, (1972–77), is a seminal landscape of native plants. Image: Peter Bennetts. 04 Car crossing Serpentine Dam (1967) in Western Australia by John Oldham. Image: State Library of Western Australia, 011386D
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Vermont Park, a 1977 cluster housing project in Melbourne by Merchant Builders and Tract Consultant­s that offered a new model for Australian housing. Image: John Gollings.
05 05 Vermont Park, a 1977 cluster housing project in Melbourne by Merchant Builders and Tract Consultant­s that offered a new model for Australian housing. Image: John Gollings.

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