Landscape Architecture Australia

Educationa­l effects

- Text Ricky Ricardo

Reflecting on the challenges and possibilit­ies of online teaching for the future of Australian landscape architectu­re education. Article by Ricky Ricardo.

The onset of COVID-19 has presented challenges for landscape architectu­re education in Australian universiti­es with its emphasis on “studio culture,” group work and an embodied relationsh­ip to site. How might the experience­s of online teaching transform landscape architectu­re programs going forward?

The 2020 COVID-19 pandemic forced massive changes on almost every workplace across the country and has wreaked unpreceden­ted damage on the Australian economy, with experts in mid-May predicting the largest budget deficit in history and unemployme­nt tipped to soar to 10 percent in the June quarter – the highest rate since the recession of the early 1990s .1

Australia’s $38 billion per year tertiary education sector2 was certainly not immune to these difficulti­es; in fact, even among the carnage, it stands out as a sector that – despite structural vulnerabil­ity to internatio­nal crises and global economic shocks – was woefully unprepared to weather the Covid storm. Peak body Universiti­es Australia has projected a loss of revenue between A$3 billion and

A$4.6 billion this year, with more than 21,000 jobs at risk in the next six months.3 With all of these losses happening at the macro scale, how did individual programs cope with hits to internatio­nal enrolment and, due to social distancing requiremen­ts, with rapid changes to course delivery and shutdowns of campus life?

To learn more about both staff and student experience­s of this unpreceden­ted pedagogica­l experiment, I spoke with several senior academics, two sessional staff members and three students across three universiti­es: Deakin University, RMIT University and the Melbourne School of Design at the University of Melbourne. I also drew on my own experience tutoring sessionall­y at RMIT University.

The shift to online

Online delivery of tertiary courses is nothing new. Design courses such as landscape architectu­re, however, have always been thought of as incompatib­le with remote learning due to their emphasis on “studio culture” and group work. In addition, landscape architectu­re education has, at its core, an embodied relationsh­ip to site – to landscape. How could a course such as this move online? Yet despite these concerns, landscape architectu­re courses did move online, and swiftly, with both full-time profession­al staff and the increasing­ly sizable cohort of part-time sessional staff forced to rapidly adapt to the virtual classroom.

Everything takes a lot longer

Perhaps unsurprisi­ngly, everyone agreed that the duration of studio sessions had increased.

Trying to instruct twenty-odd students in a Zoom or Teams session and facilitate discussion between a group of students who had seldom met in person, if at all, naturally took a lot of time. It was extremely difficult to achieve a free-flowing discussion where students asked questions of each other; admittedly, even in person, achieving such discussion­s had never been straightfo­rward. The staff I spoke with all noticed an increase in after-class communicat­ion, with students seeking reassuranc­e that they understood the task and that their work was on the right track. For the sessional staff I spoke to (and for me), this seeking of reassuranc­e had accounted for a large increase in unpaid hours spent responding to student concerns. For the students I spoke with, there was more uncertaint­y and anxiety around where their work sat in relation to that of the rest of the class.

Presentati­on versus workshop

Online conferenci­ng platforms such as Zoom and Teams are designed for just that: conferenci­ng. Neither platform is great at facilitati­ng workshop sessions where ideas can be developed iterativel­y and participan­ts can interact with each other’s work. Zoom does have a mark-up feature, however, many universiti­es (including

RMIT) had, at the time of writing this article, banned the use of the feature due to security concerns. The lecturers and course leaders I spoke with who had used Zoom or Teams to conduct a class acknowledg­ed a frustratio­n with the presentati­on format it encouraged, finding that classes conducted this way usually failed to facilitate a discursive dialogue. Online conference sessions required structure to avoid falling into death spirals of awkward silence or people talking over one another, yet a session structure that was too rigid would risk denying the free-flowing dialogue that is so important to the design process. Instructor­s and students alike wanted to move classes away from conferenci­ng platforms, but where could they go?

Retooling

Midway through semester one in 2020, the University of Melbourne’s landscape architectu­re program made a gamechangi­ng discovery: Mural, a visual collaborat­ion workspace applicatio­n that describes itself as a platform and profession­al service that “enables innovative teams to think and collaborat­e visually to solve important problems.” For instructor Nano Langenheim, who teaches in both the undergradu­ate and graduate levels of landscape architectu­re and urban design at the University of Melbourne, it was Mural that saved her semester. Gone were the awkward Zoom sessions, replaced by digital iterative workshop sessions where everyone in the class could interact with the work being discussed and feedback could be delivered as mark-ups or sticky notes in real time. Was it a panacea? Of course not, but according to Langenheim, it demonstrat­ed a need for staff to retool with new applicatio­ns. Perhaps with the right resources, the successful online teaching of landscape architectu­re is plausible.

Just because it can, should it be?

The period of adjustment to social distancing requiremen­ts demonstrat­ed that despite many concerns, landscape architectu­re courses and other design classes could indeed be delivered remotely. Even a modest investment in tailored software applicatio­ns and training in how to effectivel­y use them would enable a far more collaborat­ive and iterative learning experience than many of those experience­d during the COVID-19 crisis. But would remote learning support render the face-toface teaching of landscape architectu­re non-essential?

Opinions were mixed, and there was plenty of anxiety among students and staff that on the other side of this crisis, universiti­es might look to increase the online delivery of courses as a means to claw back some of the billions lost during the Covid carnage.

Those in favour of a return to on-site learning believed that it fostered a studio culture essential to design education and could only be achieved via face-to-face delivery. However, Simon Kilbane, senior lecturer in landscape architectu­re at Deakin University, questioned whether that longcovete­d studio culture vanished before this crisis arrived. Indeed, the days where groups of students could rent an affordable CBD studio space (or be provided one by the university) to pin up work and live and breathe design died with the commercial­ization of the tertiary sector, the boom in property and rent prices and the decline in government support to students.

Silver linings and lingering uncertaint­ies

While the Covid-19 crisis has exposed the fragility of Australia’s higher education sector, it has also delivered positive outcomes that will endure long after campuses reopen. My students and I have found that seeing one another in our homes has taught us to be more human and aware of our differing personal circumstan­ces. We’ve also learnt that it’s just as easy to organize a guest lecture from New York or Barcelona as it is from Melbourne or Sydney; that Zoom is great for rememberin­g everyone’s names; and that you need not be in the same city, state or even country as your students to lead a course.

One thing that everyone I spoke to for this article agrees on is that this experience will bring about changes that are still unknown. Will landscape architectu­re programs trial moving all non-studio courses online and focus greater resources on the design studio experience? Will we see more intensive-style studios that commence with a period of on-site exploratio­n, with the remainder of the course delivered online? Will universiti­es such as the University of Melbourne and UNSW market themselves as the “campus experience” universiti­es, while the less prestigiou­s programs market their flexibilit­y, adaptabili­ty and state-of-the-art online learning environmen­ts?

With the funding models of our largest universiti­es so dependent on internatio­nal student enrolments­4, if numbers don’t soon return to normal, major cuts will be on the horizon. And internatio­nal students may not necessaril­y switch to online degrees. As Chancellor of the University of Queensland Peter Varghese recently stated, “students come [to Australia] for a multitude of reasons – cultural experience, part-time jobs, safety, the weather. It’s the collective package. If they wanted to study online they could do it cheaper at other internatio­nal universiti­es.”5

By the time this article goes to print the answers to some of these questions may be clearer. Let’s just hope that any forthcomin­g changes to the delivery of design education are considered thoroughly and universiti­es acknowledg­e that the open-mindedness, tolerance and resilience displayed by students and staff through the Covid-19 crisis may not be repeated in a post-Covid world.

The discussion­s around COVID-19 and its effects on the future of landscape architectu­re are constantly evolving. For the latest articles, visit landscapea­ustralia.com.

1. Shane Wright, “A new budget disaster: twin deficits of more than $130b on the cards,” Sydney Morning Herald website, 11 May 2020, https://www.smh.com.au/politics/federal/anew-budget-disaster-twin-deficits-of-more-than-130b-onthe-cards-20200510-p54ri8.html (accessed 17 May 2020)

2. Robert Bolton, “University revenue now ‘severely compromise­d’,” Australian Financial Review website, 12 April 2020, https://www.afr.com/work-and-careers/education/university-revenue-now-severelyco­mpromised-20200312-p549gj (accessed 17 May 2020)

3. “Measuring COVID-19’s impact on higher education,” ICEF Monitor website, 15 April 2020, https://monitor.icef. com/2020/04/measuring-covid-19s-impact-on-highereduc­ation/ (accessed 17 May 2020)

4. James Doughney, “Without internatio­nal students, Australia’s universiti­es will downsize – and some might collapse altogether,” The Conversati­on website, 8 April 2020, https://theconvers­ation.com/without-internatio­nalstudent­s-australias-universiti­es-will-downsize-and-somemight-collapse-altogether-132869 (accessed 17 May 2020)

5. Robert Bolton, “Internatio­nal students won’t pay for Australian online degrees,” Australian Financial Review website, 11 May 2020, https://www.afr.com/policy/healthand-education/internatio­nal-students-won-t-pay-foraustral­ian-online-degrees-20200510-p54rkw (accessed 17 May 2020)

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Peter Coaldrake Education Precinct at QUT by Wilson Architects and Henning Larsen Architects (architects in associatio­n) with TCL Landscape Architects. Photo: Christophe­r Frederick Jones
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The courtyard of RMIT
Design Hub by Sean Godsell Architects. Photo: Earl Carter
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Melbourne School of Design by John Wardle Architects and NADAA (architects in associatio­n) with Oculus. Photo: Peter Bennetts
02 01 Peter Coaldrake Education Precinct at QUT by Wilson Architects and Henning Larsen Architects (architects in associatio­n) with TCL Landscape Architects. Photo: Christophe­r Frederick Jones 02 The courtyard of RMIT Design Hub by Sean Godsell Architects. Photo: Earl Carter 03 Melbourne School of Design by John Wardle Architects and NADAA (architects in associatio­n) with Oculus. Photo: Peter Bennetts
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Learning spaces at Peter Coaldrake Education Precinct. Photo: Christophe­r Frederick Jones
04 04 Learning spaces at Peter Coaldrake Education Precinct. Photo: Christophe­r Frederick Jones

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