Mercury (Hobart) - Magazine

NATURE’S RHYTHMS

- WORDS LINDA SMITH

He spends his days making music in the Big Apple, but trumpet player, composer and installati­on artist Sam Nester has discovered that the nature-rich landscape of the Apple Isle is also a perfect place to fuel creative pursuits. Originally from Brisbane, Nester is based in New York, where he teaches at the prestigiou­s Juilliard School and is the artistic director and trumpeter of Bridge Arts Ensemble.

He recently spent four weeks on Bruny Island, recording music made by the local plants — and now the 31-year-old is encouragin­g other artists to put Bruny in their sights and apply to be part of a new artist residency program.

Nester’s Bruny Island project involved attaching a series of small sensors to plants near Mavista Falls and then recording music created by the natural plant biorhythms.

The electricit­y that is inside each plant is registered through the leaves and is converted to MIDI (Musical Instrument Digital Interface) data which then controls a MIDI instrument, creating a stream of non-repetitive music.

“It’s essentiall­y a series of plants making music in real time,’’ Nester explains of his installati­on. “With all of the changes that are happening with the plants the music will change — the pitch will change, the rhythm will change. Throughout the day it changes with various environmen­tal conditions; it changes whether the plants are healthy or whether they’re sick.’’

Having a series of contact microphone­s set up also allows people who visit his installati­ons to participat­e, turning the environmen­t into a big musical instrument.

His Arcadia concept was originally installed in the greenhouse of top private school St Hilda’s and St Hugh’s on the Upper West Side in New York. But he says bringing it to Bruny Island posed a raft of new challenges as the weather was damp and always changing — an interestin­g predicamen­t given he was working with sensitive electronic equipment.

“Bruny Island is a truly inspiring place,’’ he says. “The forests, bushlands and pristine beaches have certainly made a lasting impression on me. Standing at the Cape Bruny lighthouse, staring at the southern horizon was positively awe-inspiring.

During the course of the residency in June and July, Nester also captured interviews and oral histories of long-time Bruny residents, which are being woven into instrument­al compositio­ns.

Nester visited Bruny as part of a residency from the Bruny Island Foundation for the Arts. Residencie­s have been so successful on the island that the existing program is now being expanded with a new BRUNY20 fellowship.

The fellowship, valued at $75,000, will be split between three Australian artists, with at least one of them from Tasmania. It is open to all artists, including visual artists, musicians, writers, performers, filmmakers, new media and multi-disciplina­ry artists.

Each artist will receive four weeks of accommodat­ion on Bruny Island between June and August 2020 to start a new body of work around the theme of environmen­t. Upon returning home, artists will have several months to consolidat­e the new work, with an exhibition and/or performanc­e on Bruny Island in December 2020. More details can be found at brunyislan­dfoundatio­n.com. Applicatio­ns close on October 31.

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