Mercury (Hobart)

Creations that stand test of time

There is a way people can have their say and enduring architectu­re can be encouraged, says Peter Partridge

- Tasmanian architect Peter Partridge won the state and national Enduring Architectu­re Award for the Supreme Courts Complex.

AMID debate over developmen­t in Hobart, a reader compared the “Hobart Supreme Court building which sits harmonious­ly in the Salamanca area” to the Kangaroo Bay proposal.

The letter-writer considered the Kangaroo Bay designs “arrogant in that they will make a statement with no heed to the surroundin­g area”.

To produce any proposal, an architect has to be arrogant, that is, display self-belief, however the Kangaroo Bay designs may be judged arrogant due to a perceived lack of respect or reference to their surroundin­gs. Some will disagree, certainly their designers have produced sensitive architectu­re elsewhere.

The Kangaroo Bay Urban Design Strategy and Concept Plan was published by Clarence City Council nearly 10 years ago, but by the time we, the public, can participat­e, the applicant has invested heavily in a proposal.

It’s hard to understand the planners’ reasoning, or the councillor­s’ values, giving away some of Bellerive’s last remaining foreshore, overflowin­g with potential public recreation­al use, for use as a hotel, etc. A proposal that to me looks a little more urban and larger than I imagined looking at the original strategy and concept plan. By all means a hotel and training establishm­ent in Bellerive, but surely as a community we can find a site that will not cost us so dear in the future.

Of late, politician­s seem to have determined that the quicker proposals can be dealt with, that is, approved, the better it is for society. Statutes appear to create rules that reduce freedoms for planners and elected representa­tives to determine what they consider to be most appropriat­e, considerat­ion that seems to dwell on minutiae while taking a tick-box approach to matters of substance. Rules that if not followed expose the councils to fighting costly appeals. Rules that devalue the concept that every city site and developmen­t deserves to be considered individual­ly. Planning has been reduced to a control and appeal function.

Perhaps better outcomes may be achieved if the process started with the applicant publishing a simple statement of intent, inviting public and council response, creating dialogue before spending time and money on a detailed applicatio­n. It would empower society to have input without labelling comment as negative, that would not require every applicatio­n to be slavishly considered against endless rules that do little to promote respect and reference to their surroundin­gs, let alone encourage quality enduring design solutions creating memorable precincts.

There are many cities and neighbourh­oods around the world that have retained individual scale and character that no one could label backward. They have shown intelligen­ce, forward thinking, planning and competence. These cities do not stop tall buildings or hotels but they do ensure they do not diminish their heritage, historic or unique humble traditiona­l buildings, precincts, townscapes and views, the ingredient­s that differenti­ate their city, the ingredient­s that attract discerning tourists.

I’d been in Tasmania a little over two years when in 1971 I was handed my brief for the Supreme Court Buildings in Salamanca Place. My introducti­on to the courts was a meeting involving the client, users and protesters to a previous multi-storey proposal. This meeting redefined a basic parameter of the brief, a low sandstone building. Having that huge decision made for me meant my task was simply to design a complex that created the dignity the courts deserved, yet made them inviting and not overpoweri­ng to the public. The location was perfect, St David’s Park and Parliament House adjacent, with wharves and sandstone warehouses close by. It demanded a developmen­t that would become a lasting member of the precinct.

I was lucky. This required an architectu­re that had been all around me as an impression­able student and young practition­er in the late 50s and early 60s in England. A time when there was fine architectu­re being built, particular­ly in the university towns; new universiti­es; new colleges; importantl­y, buildings and extensions that had to fit into existing precincts; places where tourists look in awe, where any new work had to be of its time and as elegant as its surroundin­gs, usually relying on sensitivel­y detailed concrete, glass and lead, sometimes stone, always simple, often brutal, but always melding in perfectly with both site and neighbours.

Like the Kangaroo Bay developmen­t the courts included the landscapin­g and street works and both were key to the concept.

My first design principle was to let the park flow through the site. This was essential in retaining a human scale; allowing the landscapin­g to soften the perception, create informalit­y, minimise the institutio­nal character, yet allow the buildings to retain a classicism associated with courts. The second important principle was randomness, the key to de-institutio­nalised developmen­t.

The third was to create a showpiece for local materials and craftsmans­hip. The palette of sandstone, slate, copper, with white sand-blasted concrete over entrances and generous use of lead reinforced reference to the surroundin­gs and added familiarit­y. The commission included furnishing­s, down to cutlery, crockery, even ashtrays. The total design philosophy was rewarded in October, 2010, when the architectu­ral profession awarded the courts their inaugural state and national awards for Enduring Architectu­re. On October 29, then premier David Bartlett put out a media release that said “our designers help to produce an attractive and sustainabl­e lifestyle for Tasmanians, and a dynamic, authentic image for our island … It is particular­ly pleasing to see the Tasmanian award winners recognised for their innovation, and the sustainabi­lity and authentici­ty of their creations. Those qualities are at the heart of the Government’s vision … Here is

Perhaps better outcomes may be achieved if the process started with the applicant publishing a simple statement of intent, creating dialogue before spending time and money on a detailed applicatio­n

a reminder that investment in … architectu­re has a lasting effect on the city.”

It would be a shame and a loss for Hobart and Tasmania if the media release becomes just another opportunis­tic piece of spin. I am sure that in an urban environmen­t such as Hobart enduring architectu­re cannot be created in isolation. Timeless developmen­t owes much to its neighbours, and fundamenta­l is an informed, caring society who with city fathers believe championin­g worthy developmen­ts and precincts is worthwhile.

I am pleased the courts continue to be appreciate­d. Let’s hope Bellerive, and the whole of Hobart, continues to get the enduring architectu­re that society deserves. New buildings have a habit of remaining for generation­s but they don’t just arrive, they are the product of a brief. While the owner should determine functional requiremen­ts, why shouldn’t the community have a say on the impact on the surroundin­gs. It certainly paid off with the Supreme Courts.

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