NPhoto

Performanc­e

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The Tamron does remarkably well to maintain sharpness at its widest aperture of f/2.8, throughout the zoom range, almost matching the Nikon 70-200mm f/2.8 in this respect. Compared with the Sigma 70-200mm, it’s also slightly sharper at 200mm, and contrast is very impressive. Autofocus is very fast and the optical stabiliser also works extremely well. Overall, this is a really excellent lens. We so often see the ED tag applied to Nikon lenses that it’s become all but ubiquitous. However, instead of one or maybe two Extra-low Dispersion elements, this lens has no fewer than seven. Build quality is also a step up from competing 70-200mm lenses, featuring a tough magnesium alloy rather than plastic barrel, complete with weather seals.

As in the Nikon 70-200mm f/4, the VR system includes both normal and active modes, the former of which has automatic panning detection. As well as the usual A/M mode (autofocus with manual override), there’s an M/A mode that gives greater priority to manual focusing. There’s also a focus limiter, which locks autofocus travel between five metres and infinity.

Despite its magnesium alloy build, this Nikon is the heaviest 70-200mm f/2.8 lens in the group at 1.54kg. Even so, it’s reasonably comfortabl­e for prolonged handheld shooting, and the constructi­on really does feel the most robust.

Performanc­e

There’s an excellent consistenc­y in sharpness and contrast, not only throughout the zoom range but also at differing apertures. The rounded diaphragm, with nine blades, helps to maintain a pleasant bokeh when stopping down a little from f/2.8.

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