NPhoto

Reflected glory

John Hastings captures reflection­s that can turn everyday scenes and subjects into striking abstract images

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project info miss ion To cap ture re flec ted ligh t

photograp her John Hastings Age 53

Location Glasgow, Scotland Kit Nikon D7000, Nikon 18-105mm f/3.5-5.6, Nikon 50mm f/1.8, Nikon 70-300mm f/4.5-5.6, Tamron 10-24mm f/3.5-4.5

WEB www.photo4me.com/ canvasprin t s/ john-hast ings

Living just outside Glasgow I have access to dramatic coastlines, majestic mountains and vibrant cityscapes, all within about 90 minutes’ drive. My interest in photograph­y goes back to the 1970s, where my ‘camera lineage’ started with a Fujica STX-1, which was the budget offering from a short-lived line. From there I upgraded to the Nikon FG with its magic Program mode.

My photograph­y was transforme­d when Nikon launched the D70, its first ‘affordable’ D-SLR, and a few upgrades later I find myself with a D7000 and a bag of lenses, from a Tamron 10-24mm and my ‘nifty 50mm’ f/1.8 to a Nikon 70-300mm f/4.5-5.6G. The 18-105mm is almost always attached to my D7000 because it’s so versatile.

I’ve been a fan of Nikon kit for many years, for two reasons: quality and continuity. What a delight it was to read that the new Nikon Df is capable of using lenses from the 1950s! With the possible exception of Hasselblad, I can’t think of any other company that has such a philosophy of thinking about its customers over the very long term. I mentioned my 50mm earlier – it predates the D series, as it was the kit lens for an F90,

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01 Glas gow Science Centre Nikon D70, Nikon AF-S DX 18-70mm, 1/160 sec, f/10, ISO200
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