Tim­ing is ev­ery­thing

NPhoto - - Landmark Masterclass -

With crash­ing waves, it’s best to wait un­til the waves have bro­ken on the rocks and are start­ing to suck back over them be­fore tak­ing your shot. This re­sults in greater con­trast be­tween the white wa­ter and the black rocks, and pro­duces lots of minia­ture wa­ter­falls that add in­ter­est (see Hot Shot #4 above). This can be done us­ing your cam­era’s self-timer mode, but it’s tricky to an­tic­i­pate when the waves will be at their op­ti­mum po­si­tion, so a re­mote re­lease is a bet­ter bet.

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