NPhoto

Break the rules

James Paterson liberates himself from the constraint­s of convention­al compositio­n…

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Six compositio­ns that break the normal ‘rules’ for landscape shots

When it comes to composing a landscape photo there are a multitude of rules we’re instructed to follow. There’s the rule of thirds, which states that we should place interestin­g objects on the ‘third’ lines within the frame. Then there’s the ‘foreground interest’ rule, which has us all scrambling around to find an attractive rock or plant to include in the foreground of our shot. We must also keep our horizons straight, eliminate ‘dead space’, and avoid placing our subject dead-centre.

Often, by following these rules we’ll end up with a great photo. But if we simply apply them by rote to every scene we come across, we run the risk that all of our images will start to look very similar, and probably very similar to other photograph­ers’ shots as well. So here’s a challenge for you. Go out and look for six totally different compositio­ns in one location. Look for unconventi­onal angles, and manoeuvre your subject around the frame in interestin­g ways.

It can be rather liberating to shoot what feels right for that particular location, in that light, at that moment, rather than squeezing the scene in front of you into a convention­ally ‘good’ compositio­n. It might lead to a killer shot or a complete dud, but one thing it certainly won’t lead to is a series of photograph­s that were pre-planned in your head before you even set eyes on the location.

We went to Strumble Lighthouse in Pembrokesh­ire on a mission to look for new and interestin­g angles at a popular photograph­y spot. Here are the results, and a few suggestion­s to get you started on your own challenge. And remember, the only rule is: there are no rules!

Here’s a challenge for you. Go out and look for six totally different compositio­ns in one location. Look for unconventi­onal angles, and manoeuvre your subject around the frame

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