NPhoto

Irish blessing

Harry Reid walks the streets of his home town, capturing the people he meets with his unique eye for personalit­ies

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I think that my interest in photograph­y started when I was aged about five years old. An aunt that I visited regularly had a camera which featured a bellows of some sort. This camera always fascinated me, but I was never allowed the privilege of handling it. (I wonder why!) As time passed I bought a series of very basic film cameras and eventually bought a Russian 35mm film camera, which is where my interest in photograph­y really started in earnest.

In those days I gave priority to photograph­ing landscapes and seascapes, plus a few shots of girlfriend­s, as you do! Then digital arrived and wow, what a difference that made. I started using Fuji compacts until one day I decided to seriously upgrade to a Nikon D200. This was the starting point of my journey with Nikon cameras. Since then I’ve owned a D300, two D700s and my current ‘baby’, a Nikon D800.

Ireland and its famously beautiful scenery is a photograph­er’s dream.

I endeavour to be discreet, sensitive and courteous… Folk who I photograph ‘on the street’ appreciate being shown their photos

The opportunit­ies are endless, and we still enjoy significan­t freedom to roam in the Irish countrysid­e. Before I retired from my job as a sales manager for a fire protection company, my job gave me the opportunit­y to travel the length and breadth of Ireland, plus to a few of the off-shore islands. Needless to say, my camera always travelled with me on those trips, although my travelling opportunit­ies have been a little curtailed since I retired.

Time to explore

While my travel opportunit­ies are more limited now, Waterford’s ‘Copper Coast’, Counties Wexford, Carlow and Tipperary, afford superb landscape and seascape photo opportunit­ies. Along with the aforementi­oned categories of photograph­y I thoroughly enjoy street and wildlife photograph­y, and some night sky shooting.

Whenever I’m involved in street photograph­y I endeavour to be discreet, sensitive and courteous. The majority of folk who I photograph ‘on the street’ appreciate being shown their photos and being asked if it’s okay for me to post the images on Facebook, for example. This creates goodwill and, very often, allows me the opportunit­y to give out my business card which, in turn, makes for a few sales. A little common courtesy goes a long way.

Woodturnin­g is also a parttime profession for me and I use photograph­y to record and advertise some of my range of turned products. In addition to that and my street photograph­y, I am currently building a part-time career in commercial photograph­y serving solicitors, estate agents and commercial property owners as well as covering weddings, christenin­gs, fashion shows, and so on.

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 ??  ?? 01 The Face of Old -TIME THRES HING Nikon D700, Nikon AF-S 24-70mm f/2.8G ED, 1/50 sec, f/7.1, ISO200
01 The Face of Old -TIME THRES HING Nikon D700, Nikon AF-S 24-70mm f/2.8G ED, 1/50 sec, f/7.1, ISO200
 ??  ?? 02 03 Simon Spoon s busking in Kilk enn y Nikon D800, Sigma 24-105mm f/4 DG OS HSM A, 1/750 sec, f/6.7, ISO500
02 03 Simon Spoon s busking in Kilk enn y Nikon D800, Sigma 24-105mm f/4 DG OS HSM A, 1/750 sec, f/6.7, ISO500
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