The peak of the action – quite literally
Things thrown in the air follow an arc, and the top of the arc is both the slowest moment and – quite often – the classic moment
In last month’s article on capturing the moment we saw a classic moment in photography: a horse with all four of its hooves off the ground. I say classic because it was in 1878 in California that photographer Eadweard Muybridge, commissioned by a wealthy patron, used an early form of high-speed photography to show what the eye had never previously been able to see: this precise, mid-air moment. This frozen in mid-air quality made it special, and things thrown in the air have the same quality. Put almost any photographer in front of a scene where something is being thrown a short distance (so that it stays in the frame), and they’ll try to catch the same mid-air moment, usually the peak of the parabola. There is some logic in doing this, because not only does the thing suspended in mid-air catch the viewer’s attention, it also connects the thrower with the destination.
The image shown here was taken for a story on a school in Thailand that trains macaques to pick ripe coconuts. This particular macaque also helped out on the ground. As the shot shows, the key to mid-air moments is a combination of good timing and a clear viewpoint, with whatever is flying through the air clearly visible against the backdrop.