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Mikael Svensson doesn’t just seek the right location, but the right moment in time for his stunning landscape photos

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This issue, reader Mikael Svensson explains how he tries to find the perfect moment to capture the landscapes of his native Sweden

My photograph­ic journey began during my years working in a hotel in Grövelsjön, Dalarna, which is a mountainou­s area in southern Sweden. There I felt inspired often by the fleeting moments in nature’s ever-changing landscapes and light. I wanted to capture these moments whenever I had free time outdoors, trekking or skiing.

I started my photograph­y business part-time in 1999, and five years later I’m doing it for a living. Working full-time has its ups and downs. It’s maybe not the best way to get rich, but it’s more a lifestyle for me, and I get to do what I love most. Since starting out I’ve taken images for seven books, and am always working on various new book projects.

In 2004 I moved back to my home town of Mölndal, and I’m now close to both the ocean and the forest, so I don’t need to travel too far to find the photograph­ic motivation that I seek. The challenge is capturing the perfect light, which exists in only a fleeting moment. To me, photograph­y is not only about being in the right location, it’s also about capturing the right moment.

When I started out I shot on a Nikon film camera. When the first D-SLRs hit the market I used a third-party body, so that I could still use all of my Nikon lenses. Since than I have been a Nikon shooter, and I have used many bodies, from the Nikon D200 to my lovely D810. The quality and performanc­e of the D810 is outstandin­g.

Seeing stars

When I want to create ‘sunstars’ in an image, I use my Nikon 20mm f/1.8 wide-angle lens. On this wonderful morning at Pico do Arieiro [1] (the Portuguese island of Madeira’s third-highest peak), the sun peered above the clouds and all I could think was: ‘sunstars’! I set up my D810 and 20mm lens on a tripod, put the

To me, photograph­y is not only about being in the right location, it’s also about capturing the right moment

self-timer on 20 secs and began the ‘selfie’ exercise: I ran to the clifftop, struck the pose you see in the image, and then turned and ran back quickly, all the while hoping that a sudden gust of wind wouldn’t blow the tripod over and destroy my precious D810!

Gothenburg, Sweden, is a place that I’ve visited many times. Trying not to shoot the same thing time and time again, but to find a new perspectiv­e like this [2] is not easy, but with the changing light it never stays the same. For this shot I used a six-stop neutral density filter to enable me to set a longer exposure, which meant I was able to smooth out the movement in both the water and the clouds. My final exposure time was 63 secs at an aperture of f/8.

Finally, this little cabin on a cliff overlookin­g the sea in Bohuslän, Sweden [3], is a popular subject to shoot, and the granite cliffs of Bohuslän’s coastline make it a real mecca for landscape shooters. The cliffs have a wonderful texture, and you can find lots of angles to shoot from.

I could wander around for a whole day just looking for formations in the coastline. I found a spot where the cabin provided some scale to the image. Three sections of cliff and lines in the granite led the eye up towards it. I set my shutter speed to 30 secs to make the water and sky more dreamlike.

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 ??  ?? 2 Lakeside Retreat Nikon D810, 16-35mm f/4, 63 secs, f/8, ISO64 3 2
2 Lakeside Retreat Nikon D810, 16-35mm f/4, 63 secs, f/8, ISO64 3 2
 ??  ?? Clifftop Cabin Nikon D800E, 16-35mm f/4, 30 secs, f/8, ISO100 3
Clifftop Cabin Nikon D800E, 16-35mm f/4, 30 secs, f/8, ISO100 3

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