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Winner of the N-Photo competitio­n in associatio­n with Light & Land, Paul Richards shares the story behind his Cuban photograph­ic adventure

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Winner of a trip to Cuba through Light & Land Tours and N-Photo, Paul Richards shares a show ’n tell about his Caribbean adventure

Having been lucky enough to have won the competitio­n featured in issue 62 of

N-Photo in associatio­n with Light & Land, to go on a photo tour of Cuba, I nearly didn’t make the trip. I had been waiting for some major surgery for over a year, and guess when I found out the surgery was pencilled in for? Yep. Right in the middle of the tour. So I cancelled the operation and went to Cuba instead. My only problem was that I could hardly eat or drink anything (imagine being in a five-star hotel in Havana and not been able to drink!). However, this was an opportunit­y I was determined not to miss. I’m happy to say that the operation went ahead in December, on Christmas day 2016, and I’m now 100% okay.

A group of 14 of us headed to Cuba. They were all great people; we’ve since stayed in touch and are even having a reunion at the end of this year. The Light & Land photograph­y guides were Peter Hendrie and Paul Sanders. They are both very experience­d profession­al photograph­ers and their eagerness to help the group at any time was limitless.

Cuba offers a diverse range of subjects for the budding photograph­er, from the opulence of affluent five-star hotels like the Hotel Parque Central in Havana (where we stayed at both the start of our trip and the end) to the sights and sounds of day-to-day Cuban life, where the locals get by on a handful of dollars a day.

Our man in Havana

Cycle rickshaws are one of the cheapest and most popular forms of transport for locals, tourists and goods alike, and this is a typical backstreet scene in Havana [1]. The drivers battle with all forms of traffic,

and at night they never turned their lights on, instead relying only on their bells. I shot this wide on my Nikon 14-24mm f/2.8 to capture the expansive scene in front of me. I like the balance of the compositio­n, and the way the elements interlock.

Light & Land organized a special trip to see the Ballet Español de Cuba, based in Havana. It was a very special honour to be able to take images while the dancers were being instructed on their intricate steps [2]. On this occasion one of the dancers got something wrong but her group just laughed, and I was elated to have captured this unscripted moment that really encapsulat­es their spirit and camaraderi­e. There were many technical challenges here; we were not allowed to use flash even though the light was poor, and mirrors were absolutely everywhere, so we had to be careful about our reflection­s not creeping into frame.

To catch the sunrise coming up over Havana’s harbour [3] we had to make a 6am start. The statue is of Máximo Gómez, a war hero from the Dominican Republic who fought tirelessly for Cuban independen­ce in the 1868 and 1895 conflicts against the Spanish. It was created by Italian artist Aldo Gamba in 1935. I shot this from about half-a-mile away with a Nikon Coolpix P900 at 2000mm.

All good things come to an end, and on our last day we visited the old town of Havana. This led to the famous Malecón, a stretch of sea wall about five miles long [4], where young people meet at night. It is the centre of Havana’s nightlife, where there are parties and music until the early hours.

 ??  ?? Mission: To shoot the culture of Cuba with Light & Land Photograph­er: Paul Richards Age: 70 Location: Leeds, UK
Kit: Nikon D810, Nikon 14-24mm f/2.8, Nikon 24-70mm f/2.8, Nikon Coolpix P900 1
Mission: To shoot the culture of Cuba with Light & Land Photograph­er: Paul Richards Age: 70 Location: Leeds, UK Kit: Nikon D810, Nikon 14-24mm f/2.8, Nikon 24-70mm f/2.8, Nikon Coolpix P900 1
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 ??  ?? 3 3 Máximo Gómez Nikon Coolpix P900, 1/100 sec, f/4.5, ISO200
3 3 Máximo Gómez Nikon Coolpix P900, 1/100 sec, f/4.5, ISO200
 ??  ?? 2 1 Rickshaw Nikon D810, 14-24mm f/2.8, 1/800 sec, f/2.8, ISO250 2 Ballet Nikon D810, 24-70mm f/2.8, 1/250 sec, f/2.8, ISO2000
2 1 Rickshaw Nikon D810, 14-24mm f/2.8, 1/800 sec, f/2.8, ISO250 2 Ballet Nikon D810, 24-70mm f/2.8, 1/250 sec, f/2.8, ISO2000
 ??  ?? 4 4 Malecón Nikon D810, 24-70mm f/2.8, 1/60 sec, f/22, ISO64
4 4 Malecón Nikon D810, 24-70mm f/2.8, 1/60 sec, f/22, ISO64

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