Our Apprentice says…

For this shot of the groom, I shut out the light from the left by pulling down the blind, and posed the groom in the centre of one of the panels in the wardrobe behind. Kate confessed to being slightly obsessive about straight lines in an image like this, and kept reminding me to keep Mike between the two lines in the background. Even with just window light to the right it looked pretty dramatic, but we added bursts of off-camera flash, one to the right and one to the left, just to add to the moody feel.