NPhoto

Tamron 70-200mm G2

Tamron’s ‘second generation’ fast tele zoom takes the fight to Nikon’s latest and greatest 70-200mm lens

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Tamron’s ‘second generation’ fast tele zoom takes the fight to Nikon’s latest and greatest

Look no further than the Nikon AF-S 70-200mm f/2.8e FL ED VR, if you want the best 70200mm f/2.8 lens on the planet. It’s got all the features you could ever possibly need, a rock-solid constructi­on, and delivers spectacula­r image quality. That’s all well and good if you happen to have around £2800/$2800 burning a hole in your pocket. Tamron’s 70-200mm G2 (Generation 2) lens goes toe-totoe with the Nikon in every area of build and performanc­e and for less than half the price.

A complete revamp of Tamron’s original 70-200mm VC lens, the G2’s optical path has been optimized to deliver greater sharpness and contrast, with a major reduction in colour fringing. Even the nanolens. structure EBAND (Extended Bandwidth & Angular-dependency) coating has been refined to further resist ghosting and flare.

The ring-type ultrasonic autofocus system has been uprated for faster performanc­e, and the new-generation VC (Vibration Compensati­on) system delivers class-leading stabilizat­ion, gaining a five-stop rating in independen­t CIPA testing. That’s a full stop more than the VR in Nikon’s Two additional stabilizat­ion modes are added, one for panning and the other for applying stabilizat­ion during exposures, leaving the viewfinder view unadultera­ted. Like Nikon’s similar Sport VR mode, it’s ideal for tracking erraticall­y moving subjects.

Build quality is improved over the original Tamron lens, with a metal rather than plastic barrel. A full set of weather-seals around all of the lenses joints and on the mounting plate

combine with a fluorine coating on the front element, which repels moisture and aids easy cleaning. The removable magnesium alloy tripod collar has an Arca-swiss compatible foot, for easy fitment on up-market tripods and monopods.

The lens is compatible with Tamron’s optional TAP-IN Console, which enables firmware updates to be applied via a USB link from a connected computer, as well as customizat­ion and fine-tuning of autofocus and Vibration Compensati­on. The G2 is also fully compatible with Tamron’s new 1.4x and 2x teleconver­ters.

Handling is a joy, with a smooth and fluid feel to the zoom and focus rings. As usual in this class of constant-aperture telephoto lens, the zoom and focus mechanisms are fully

internal, so the front element neither extends nor rotates during use.

Performanc­e

Contrast is fabulous even when shooting wide-open, and sharpness is so nearly as good as from the Nikon lens that it’s generally impossible to spot the difference. True to its claims, autofocus is super-fast and the VC system is amazing. These facets of performanc­e help to maintain stellar image quality even when tracking fast-moving subjects or shooting under dull lighting conditions.

When it comes to other factors of image quality, the Tamron is similarly superb. Colour fringing and distortion­s are negligible, bokeh is beautiful and the lens does well to minimize ghosting and flare. Overall, performanc­e is simply spectacula­r.

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01 06 04 05 02
 ??  ?? Contrast and sharpness are superb throughout the whole zoom range, and across the entire image frame, even when shooting wide-open
Contrast and sharpness are superb throughout the whole zoom range, and across the entire image frame, even when shooting wide-open
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 ??  ?? 03 07 01
A new version of Tamron’s nanostruct­rure EBAND Coating has been made for this lens.
02
XLD (extra Low Dispersion) and LD (Low Dispersion) elements reduce chromatic aberration­s.
03 Weather-seals are incorporat­ed to enable a dust-resistant...
03 07 01 A new version of Tamron’s nanostruct­rure EBAND Coating has been made for this lens. 02 XLD (extra Low Dispersion) and LD (Low Dispersion) elements reduce chromatic aberration­s. 03 Weather-seals are incorporat­ed to enable a dust-resistant...
 ??  ?? 200mm, f/5.6 Triple-mode vc includes static and panning modes, plus an exposure-only option which, like Nikon’s Sport vr mode, makes it much easier to track erraticall­y moving objects such as cars
200mm, f/5.6 Triple-mode vc includes static and panning modes, plus an exposure-only option which, like Nikon’s Sport vr mode, makes it much easier to track erraticall­y moving objects such as cars
 ??  ?? 70mm, f/5.6
70mm, f/5.6

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