NPhoto

Sigma 14-24mm f/2.8 DG HSM | A

£1129/$1199 It’s the landscape lens to beat

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e’ve long been fans of Sigma’s ultra-wide 12-24mm lens, with its extreme maximum viewing angle. The Mk II edition was very good and the latest ‘Art’ edition is even better, gaining a constant-aperture rating of f/4. This addition to the Art line-up is more modest in its ultra-wide coverage but an f-stop faster.

The weather-sealed constructi­on is of excellent quality. Optical prowess benefits from a large-diameter, ultra-high-precision moulded glass aspherical front element, which teams up with three top-grade FLD (‘Fluorite’ Low Dispersion) elements and three SLD (Special Low Dispersion) elements. Ring-type ultrasonic AF is speedy and whisper-quiet.

WPerforman­ce

Sharpness is excellent across the whole frame and across the entire zoom range, even when shooting wide-open at f/2.8. Colour fringing is negligible and, despite the Sigma having average scores for barrel distortion based on close-range test charts, it’s effectivel­y a distortion-free lens in real-world shooting.

Sharpness

Sharpness is superb across the entire image frame, even when shooting wideopen at f/2.8.

Fringing Distortion

Lab-results don’t look great, but for landscapes, it’s almost a zero-distortion lens.

 ??  ?? Levels of colour fringing are negligible, even at the extreme corners of the frame.
Levels of colour fringing are negligible, even at the extreme corners of the frame.
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