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Kieran Brimson is an expert interior photograph­er who uses his keen eye for detail to get the best angle on stunning properties

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Find out how to get the best angle on real-estate images

MISSION: Use natural light to showcase enticing living spaces in the leisure, hospitalit­y and real estate industries.

PHOTOGRAPH­ER: Kieran Brimson LOCATION: Cornwall, United Kingdom

KIT USED: Nikon Z 7 and D800, Nikon AF-S DX 10-24mm f/3.5-4.5g ED and AF-S 14-24mm f/2.8g ED

WEBSITE: www.kbrimsonph­otography.com INSTAGRAM: @kbrimsonph­otography

Ialways had an interest in film-making, which I studied at the University of Gloucester­shire. It wasn’t until a family trip to Florence in 2011 that I realized photograph­y is just as – and in many cases more – rewarding.

Since then, I‘ve been hooked on everything photograph­y. Interior photograph­y is a unique challenge. No two rooms are ever the same, and the light sources are ever changing. Styling a property, and creating a living space that’s warm and inviting, can take longer than the shoot itself. The most crucial piece of kit for taking interior shots is a wide-angle lens, so you can capture a room’s main features in a single image.

Room with a sea view

The sea view is without doubt the key selling point of this room at the Carbis Bay Hotel in St Ives [1],so it was vital that both the interior and exterior were suitably exposed. My solution was to blend together two exposures in post. A tripod was a must to replicate exactly the same framing for both exposures. I wanted to make the view outside look as natural as possible, so I resisted the urge to bring the exposure down too much and maintained a slightly higher level of brightness.

Taking photos at dusk always provides a unique opportunit­y to capture an interior from a different perspectiv­e. This wall of windows was perfect for a shot from the outside looking in [2]. The interior’s lighting showcases a warm living space that emphasizes the comfort and homeliness of the dining area. Dealing with such extreme colour temperatur­es is the biggest obstacle to overcome with this style of photograph­y. I treat differing areas of colour temperatur­e separately by taking multiple shots. This helps maintain a natural look and avoids colour bleaching.

This freestandi­ng bath tub was a real luxury centrepiec­e in this property [3]. When a room has a clear focal point, it’s still important to balance the frame and not stray too close to the subject. I wanted to get plenty of floor space around the tub, as well as the source of light coming in from the left, and divided the frame into thirds. With this being a space used predominan­tly for relaxing, I added candles to provide a romantic mood. The warm glow of the flames balanced out the light spot on the right wall, and the tea lights helped fill the foreground space and break up the darkness of the tiles.

 ??  ?? Camera:
Lens:
Exposure:
Nikon Z 7 14-24mm f/2.8 1/20 sec, f/10, ISO100 [1] A separate image was used to capture the interior and exterior to balance the exposure.
Camera: Lens: Exposure: Nikon Z 7 14-24mm f/2.8 1/20 sec, f/10, ISO100 [1] A separate image was used to capture the interior and exterior to balance the exposure.
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