Photo Plus

Submitting to magazines

Learn how to get paid or get exposure by getting your photograph­s published

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many photograph­ic magazines feature a readers’ gallery section, which can be a great place to start. These probably won’t offer the highest rewards, but they can be a good stepping stone to getting your images published elsewhere in the magazine, or even in other publicatio­ns. If you have some great seasonal images of your local area you could also try submitting a small selection of images to a local interest magazine or publicatio­n, rather than starting out with a large national or internatio­nal organizati­on.

Most publicatio­ns will be on the lookout for new and striking images. As long as your photos are up to scratch, for your initial submission try sending a small selection (up to ten) of low-resolution JPEG images, along with a link to your website if you have one, via email. This initial contact is pretty crucial, so make sure that the images that you send are your best work, and don’t include any ‘fillers’ to make up the numbers. Also, don’t be tempted to write a long letter to introduce yourself or your images. Keep your email reasonably brief, but include any relevant informatio­n, and if the magazine likes your images they’ll be in touch to get more detailed informatio­n.

Remember that most mags are planned and created months in advance. This is particular­ly important if the images you’re submitting are seasonal, such as landscapes, wildlife or even sports. Submit images that have to be taken at a specific time of year a few months before this season starts. For example, spring shots need to be sent in January to stand the best chance of being considered.

other interests

Remember that it’s not just photograph­y magazines that could publish your images. If you have another hobby or interest that you shoot, there is almost certainly a magazine or publicatio­n that covers this activity. You’ll need to do a little research to investigat­e the possibilit­ies within each magazine, and identify how and where they use images, then try getting in touch with the magazine to see whether they are interested in publishing your images, and whether it’s worth sending them a selection of your work.

be persistent

Getting your work published can take a little time and effort on your part, but there’s a fine line between being persistent and being pushy. Most magazines don’t have time to go through all of the submission­s they receive every day, and it often takes some time for the final decisions to be made. So, once you have sent off your photograph­s you may not get a reply immediatel­y, but if you haven’t heard anything in a couple of weeks it’s worth following it up with another email. Don’t be too pushy, or bombard them with emails demanding to know what’s happening, though, as hassling them can

make it less likely that they will use your images.

It’s also tempting to send the same (or similar) images to several publicatio­ns, to maximize your chances of getting published, but this is best avoided, as if you get featured in two rival magazines neither are likely to deal with you again.

To get regular work with a publicatio­n you’ll need to prove that you can provide consistent­ly high-quality images, and be easy to contact. While quality images will always be in demand, magazines won’t use them if they can’t contact you to get any further informatio­n or confirm that you are happy with the terms of the contract.

What are your next steps?

There are several ways that you can use these first published images to help further your photograph­ic ambitions. Once you’ve had some initial work accepted you can move on to submitting article or editorial ideas, particular­ly if you are able to write to a good standard. Once a magazine knows your work they are more likely to use your images, and ultimately they may even contact you if they are looking for images that they know you might be able to supply.

The better-known your photograph­y, the more likely it is that your work will get published, and you may eventually even get commission­ed for specific features or images. This can also help you achieve the most prestigiou­s (and sometimes lucrative) position for one of your photograph­s: on the cover of the magazine.

Along with simply getting published and paid for your work, getting your images printed is also a great way to advertise your photograph­y to a wider audience. This can lead to getting commission­s for other publicatio­ns, or other commercial work.

how much time will it take?

Getting your images and submission­s ready to enter a competitio­n or send to a magazine can easily be done in an evening or two. There may be some additional time needed to add any detail needed for a magazine article or send in high-resolution images if your images are selected. But as long as you’ve organized your images so that you know where to find this info and the high-resolution images, it won’t take you long.

It’s worth noting that you won’t get paid immediatel­y. Most publicatio­ns work on standard terms that can be up to three months after publicatio­n, and you’ll have to sign a rights agreement that states how and where your images can be used.

how much can you make?

Don’t expect to get rich quickly! The rewards vary substantia­lly, depending on the magazine and image usage required. We offer the winner of our Inspiratio­ns photo competitio­n a Manfrotto bag worth £140 (see page 77).

When it comes to images used in the rest of the magazine, the amounts paid can vary greatly, depending on the circulatio­n of the publicatio­n. As a rough guide, for a single-page image you could expect to get £50 to £120, while for a cover you could make up to £250, again depending on the publicatio­n and its budget.

 ??  ?? Many publicatio­ns pay for images to run in gallery pages – this is from our sister magazine, Digital Camera – but the quality has to be spot-on
Many publicatio­ns pay for images to run in gallery pages – this is from our sister magazine, Digital Camera – but the quality has to be spot-on
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 ??  ?? It is vital that seasonal images arrive at the magazine well ahead of time – at least three months before they are likely to be used – so they can be planned to fit in with the magazine’s schedule
It is vital that seasonal images arrive at the magazine well ahead of time – at least three months before they are likely to be used – so they can be planned to fit in with the magazine’s schedule
 ??  ?? There’s nothing like having your shot appear on a magazine cover – just bear in mind they need space for words
There’s nothing like having your shot appear on a magazine cover – just bear in mind they need space for words

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