Exposure compensation

When you shoot in Aperture Priority or Shutter Priority modes, your camera will always assume that the subject is a midtone, equivalent to mid‑grey. The problem is that if you’re shooting a subject that’s lighter or darker than mid‑grey, or is against a background lighter or darker than mid‑grey, the

With a predominantly light scene, the camera metering has been fooled into underexposure, which has made the image too dark