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Get started with wedding photograph­y

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Wedding photograph­y has long been a great way to make money as a photograph­er, but it can also be stressful, time-consuming and expensive to get

started. So, it’s a good idea to start off slowly, shooting weddings for family members or friends. In this section we’ll look at the things you can start doing right now to gain some valuable experience, while also making a bit of extra income on the side. Only when you’ve shot a few weddings will you know if it really is for you. Along with the necessary photograph­ic talent – because the photos you take will be a couple’s greatest reminder of their day – you will need to be authoritat­ive, to take charge of proceeding­s when it’s time to get your images, but also be friendly, approachab­le and great with people. You will also need to be good at promoting your business and yourself, as it’s a competitiv­e market out there, and business skills are almost as important as taking great images.

Get some experience

No-one is going to hire you without any experience, so it’s worth shooting as many weddings as possible before you take the leap into the world of profession­al wedding photograph­y. You can start by shooting candids and other less-formal images as a guest for friends and family. When doing this it’s important that you do not try to ‘compete’ with the main photograph­er, so don’t try to take over the formal shots – but pay close attention to how they work and how you might approach similar shots.

Another way to hone your skills before you go all-out as a wedding photograph­er is to get some training. There are many specialist wedding photograph­y workshops and courses run by reputable companies such as Aspire (www.aspire photograph­ytraining.co.uk). These courses will give you an insight into how to shoot important occasions like weddings without the pressure of shooting at a real event.

Second shooter

Once you have shot some weddings for friends and family, you could also consider assisting a wedding photograph­er to get experience of profession­al wedding photograph­y. To begin with, contacting some local photograph­ers to see if they need an assistant is a good idea. Wedding photograph­ers tend to be extremely busy during the spring and summer, though, so it’s better to approach them

Start by shooting candids and other less-formal images as a guest for friends and family, but it’s important that you do not try to ‘compete’ with the main photograph­er

during the quieter months of late autumn or spring. Don’t expect to get rich from this, as it’s rare for an assistant to get paid any more than basic expenses for the day, but it’s a great way to get some experience of the business.

If you already have some experience shooting weddings but don’t have the confidence to start out on your own, you could also try contacting local wedding photograph­ers offering to work as a second shooter. This involves working alongside the main photograph­er, capturing images that complement their shots. Even though you won’t be the main photograph­er, you still need to be able to prove that you are able to take good images before any photograph­er will employ you, as your shots will be part of the package supplied to the couple. This type of opportunit­y doesn’t come along very often, so along with contacting them, it’s also worth following plenty of local wedding photograph­ers on social media to keep an eye out for any opportunit­ies to get work as a second shooter.

At this stage it’s tempting to shoot weddings as the main photograph­er for free, but if you are serious about making money from your wedding photograph­y this isn’t the best approach, as it’s often hard to make the transition to charging a market rate for your photograph­y after shooting for free. It’s better to get as much experience as possible by shooting as a second shooter or guest, then take the leap to charging for your time and work when you are ready to take the responsibi­lity as the main photograph­er, even if it’s for friends or family members.

Get some help

Once you’re sure that wedding photograph­y really is the career for you, it’s worth considerin­g joining a profession­al body such as the Society of Wedding and Portrait Photograph­ers (www.swpp.co.uk). These can help you with many aspects of starting out, from recommendi­ng courses and tuition, to enabling you to build contacts and even get suitable insurance. Don’t overlook that last point: when you are shooting weddings you will need insurance cover for both your gear and public liability. Normal household insurance won’t cover you when shooting profession­ally, and won’t offer public liability or profession­al indemnity if the worst happens. This type of cover costs around £200 per year in the UK, although the amount will vary according to the value of your kit, the amount of liability/ indemnity cover, and where you are working.

Know your gear

Even working as a second shooter or assistant, shooting a couple’s big day can be stressful enough without having to find your way around a new camera or flash. So, make sure that you are completely familiar with how all your gear works, and be very wary of using a new piece of kit for the first time on a shoot. This is another area where shooting some weddings without the pressure of getting paid can help, as it will give you time to experiment with different settings and gear.

While you need to know your equipment inside-out, buying everything before you start can be expensive, so it’s worth considerin­g hiring some items for individual weddings, such as a 70-200mm f/2.8, or an 85mm f/1.4 lens to shoot portraits in low light. When hiring kit, make sure you give yourself enough time to familiaris­e yourself with how it works, so try to have it delivered at least a few days before the wedding.

After the shoot

Your work as a wedding photograph­er isn’t finished at the end of the wedding day. When you start shooting profession­ally you’ll also need to set aside time to go through your images, process the best ones and then present them to the couple. Even if you have only shot a wedding as a guest, try to approach processing your images as though you had shot the wedding for the couple.

This means that you will have to sort through your images to pick out the best ones, and then process them. Even at this stage of your wedding photograph­y it’s worth trying to find a processing style that suits your images, as it will give them a more consistent appearance and also allow you to batchproce­ss many images, making only minor adjustment­s to individual shots.

How much time will it take?

Even if you are an experience­d photograph­er, gaining the expertise to shoot weddings profession­ally won’t happen overnight. It could take six months, or even a year, before you have built up the skills and experience that you will need to shoot a wedding as the main photograph­er.

Once you feel confident that you have the basic skills it will take time to progress to earning a regular income from shooting weddings. Working as a second shooter for a few months will help you gain experience (and potentiall­y some income).

Will I make much money?

If you are starting from scratch it’s likely that you won’t make much money for the first six months to a year. Working for another wedding photograph­er as a paid second shooter, you will be able to make around £100 to £200 per day. But this first year or so is only the beginning for anyone serious

It could take six months, or even a year, before you have built up the skills and experience that you will need to shoot a wedding as the main photograph­er

about shooting weddings fulltime. The bigger rewards will come when you have the experience to shoot weddings as the main photograph­er. Treat these first steps like an apprentice­ship, and look to be able to make enough money to cover your basic expenses before you start flying solo.

 ??  ?? Don’t jump straight into shooting paid weddings; it’s important to build up as much experience as you can assisting some friends and family first
Don’t jump straight into shooting paid weddings; it’s important to build up as much experience as you can assisting some friends and family first
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 ??  ?? Understand your own strengths and style, as couples will choose a photograph­er whose approach suits the vision they have of their big day
Understand your own strengths and style, as couples will choose a photograph­er whose approach suits the vision they have of their big day
 ??  ?? Word-of-mouth is extremely valuable for a wedding photograph­er – excellent work will build up your reputation
Word-of-mouth is extremely valuable for a wedding photograph­er – excellent work will build up your reputation
 ??  ?? Shooting the weddings of family members and friends can be an advantage when it comes to capturing more intimate images
Shooting the weddings of family members and friends can be an advantage when it comes to capturing more intimate images
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