Photo Plus

Lens Test: Canon EF 85mm

Fast and stabilized, Canon’s new 85mm L-series prime lens aims to give you the best of both worlds

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Fast and stabilized: Canon’s new 85mm prime aims to give you the best of both worlds

buying a fast 85mm lens that’s ideal for portraitur­e has presented Canon photograph­ers with a bit of a dilemma. Should you go all out for speed with a ‘fast’ aperture rating, and invest in a lens like the Sigma 85mm f/1.4 Art, or the even faster

Canon 85mm f/1.2l? Or should you sacrifice two-thirds of an f/stop and add stabilizat­ion into the mix, with a lens like the Tamron 85mm f/1.8 VC USD? It’s no longer an ‘either or’ situation, thanks to the launch of this new 85mm lens, which combines an f/1.4 aperture rating and 4-stop stabilizat­ion. This enables the convenienc­e of handheld portraitur­e indoors or at twilight, without the need to bump up your camera’s ISO setting and degrade image quality. Indeed, you should be able to get super-smooth bokeh in defocused areas, without image noise spoiling the effect.

Typical of upmarket L-series lenses, this one’s solidly built and weather-sealed. Like most modern prime designs, it has a complex optical path, based on 14 elements in 10 groups. Canon’s specialist ASC (Air Sphere Coating) is applied to combat ghosting and flare.

It’s not a lightweigh­t lens, at just under a kilogram with chunky 89x105mm dimensions and a 77mm filter attachment thread. It comes complete with a circular bayonet-fit hood and carrying pouch. Build quality feels excellent, and a smooth-action manual focus ring enables precise adjustment­s. The ring-type autofocus system and image stabilizer are whisper-quiet in operation, although the stabilizer is quite noisy when it starts up and shuts down.

Sharpness is superb even when shooting wide-open at f/1.4, and contrast is fabulous as well

Performanc­e

In all but the extreme edges and corners of the frame, sharpness is superb even when shooting wide-open at f/1.4, and contrast is fabulous as well. Even the corners become very sharp at f/2.8, and remain so through to f/11, dropping off a bit at f/16.

Given the lens’s suitabilit­y to portraitur­e and still life photograph­y, the bokeh is as important as the sharpness. This facet of performanc­e is sublime, with a wonderfull­y creamy smoothness in blurred regions, and excellent quality in the transition­al region between sharply focused and defocused areas.

Autofocus proved unerringly accurate in our tests, and very fast. This capability makes the Canon 85mm f/1.4l lens equally viable as a short telephoto perfect for action photograph­y, rather than just being simply a ’portrait lens’. Ghosting and flare are very well controlled, living up to Canon’s claims.

The same isn’t quite true of the image stabilizer, however, the 4-stop rating suggesting that you should be able to shoot at just 1/5 second and still get consistent­ly sharp handheld results. In practice, we struggled to get sharp shots at shutter speeds below 1/20 second, but that’s no mean feat with an 85mm focal length lens.

 ??  ?? Excellent build quality and advanced features, including L-glass optics and coatings and a 4-stop image stabilizer 07 01 03 04 06 05 02
Excellent build quality and advanced features, including L-glass optics and coatings and a 4-stop image stabilizer 07 01 03 04 06 05 02
 ??  ?? f/1.4At the widest aperture on the lens of f/1.4, the depth of field is so tight that only one of the birds remains sharp, and the background is thrown way out of focus
f/1.4At the widest aperture on the lens of f/1.4, the depth of field is so tight that only one of the birds remains sharp, and the background is thrown way out of focus
 ??  ?? f/5.6At the widest aperture available on many standard zooms (eg the Canon EF-S 18-55mm f/3.5-5.6 kit lenses) all the birds in the row are sharp but the backdrop lacks smoothness
f/5.6At the widest aperture available on many standard zooms (eg the Canon EF-S 18-55mm f/3.5-5.6 kit lenses) all the birds in the row are sharp but the backdrop lacks smoothness

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