Photo Plus

The eye of the beholder

An inspiring passion for photograph­y, art and creativity can overcome even the largest of all obstacles

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Apassion for photograph­y, classic literature and fine art, along with a love of landscapes and a romantic mind, all inspire me to create my photograph­ic projects. Often a project starts with a classic novel I’ve read, and I visit The National Gallery regularly to take inspiratio­n from the masterpiec­es there.

My images often have a painterly feel, a softer focus that gives them a romantic mood. Once I’ve chosen what I’d like interpret, whether that be a work of art, novel or poem, I begin looking for a location. I usually visit to photograph different points in a location before going with a model to shoot.

Then I put the costume together, researchin­g period styles of the time. I design, style and make the clothes for my shoots, drawing on my experience making theatre sets and costumes. The shoot often follows a storyline, so there are a series of photograph­s – it can be as many as 24 images. All my projects have personal meaning and some have been in my head for years before I come to fully develop them.

Not long after starting my journey with photograph­y five years ago, I developed binocular diplopia – a condition that left me with severe double vision and no depth of field. It was a progressiv­e condition and made life more challengin­g. It limited my ability to be in challengin­g landscapes, as I would often fall and almost always injure myself. Turning up to shoots with an eyepatch

My passion to create what was in my heart and mind gave me the determinat­ion to keep shooting

and white stick also surprised the model from time to time.

Most of all it affected my confidence, both dealing with people and using the camera. But, my passion to create what was in my heart and mind gave me the determinat­ion to keep shooting. I was lucky to have the support of my peers and friends.

My work here is when my eyes were at their worst, but Canon cameras and lenses and a sturdy tripod enabled me to make the most of my one good eye. Fortunatel­y last October I was operated on at Moorfields Eye Hospital, and my eyesight has been restored in full. I am so very grateful.

The one thing I’ve learned through the journey is that, if you have the passion and determinat­ion, you can find a way to convey your creativity and it becomes a huge part of acceptance and healing. I have the gift of full eyesight now, and I’m so excited about many new projects as I make a new home in Lancashire.

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 ??  ?? 02 02 Lens 04 Lens HEART STRINGS Inspiratio­n from the film The Piano and the Suffragett­e Movement Sigma 35mm f/1.4 DG HSM Art TIDE OF DREAMS Canon ef 16-35mm f/4l is USM Exposure Inspired by the artist Rembrandt Exposure 1/100 sec, f/4, iso200 40 secs, f/20, iso100 04
02 02 Lens 04 Lens HEART STRINGS Inspiratio­n from the film The Piano and the Suffragett­e Movement Sigma 35mm f/1.4 DG HSM Art TIDE OF DREAMS Canon ef 16-35mm f/4l is USM Exposure Inspired by the artist Rembrandt Exposure 1/100 sec, f/4, iso200 40 secs, f/20, iso100 04
 ??  ?? 01 Lens THE PATIENT ROSE Inspired by the artist John Singer Sargent Canon ef 16-35mm f/4l is USM Exposure 1/300 sec, f/4, iso200
01 Lens THE PATIENT ROSE Inspired by the artist John Singer Sargent Canon ef 16-35mm f/4l is USM Exposure 1/300 sec, f/4, iso200
 ??  ?? 03 03 Lens THE ARRIVAL OF CARPO The arrival of autumn, Carpo being the Greek goddess of autumn Sigma 35mm f/1.4 DG HSM Art Exposure 1/100 sec, f/4, iso200
03 03 Lens THE ARRIVAL OF CARPO The arrival of autumn, Carpo being the Greek goddess of autumn Sigma 35mm f/1.4 DG HSM Art Exposure 1/100 sec, f/4, iso200

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