Photo Plus

A fungi to be

A photograph­ic project three years, and an many species of fungi, in the making

-

Ilove new challenges, and one autumn three years ago I was seeking inspiratio­n for a new project. I’ve always shot toadstools, but I knew my work with them had become stale. A little research on the web showed me that, while there were thousands of great toadstool images, the majority were samey and lacked any creativity. This was the push I needed, and my ideas have ‘mushroomed’ into my book,

The Art of Fungi Photograph­y. One of the driving motivation­s throughout the project was that all the images had to be of common species, taken close to where I live. Before I turned profession­al, over 10 years ago, I was an

I wanted to show that new and interestin­g nature photograph­y can be created locally

environmen­tal science lecturer for 20 years. Since then I have always wanted my photograph­y to make a difference; to show that new and interestin­g nature photograph­y can be created locally. But how could I create a range of toadstool images that were different?

I started with lighting, exploring how I could introduce mini lights into the cap and body of the mushroom to create a glow from within. Next came biolumines­cent paint – the exotic toadstools of Borneo really did glow in Sheffield’s woodlands at night! From here I experiment­ed with fireworks before I discovered a technique that produced moody images of toadstools emanating steam. I named these Spirits of the Mushroom.

As one year progressed into another I experiment­ed with infrared photograph­y (using a converted Canon EOS-1D Mark II N), double exposures, silhouette­s, spore prints, splash art and bokeh, before I started a series of images that I termed ‘Environmen­tal Installati­on Art’.

I self-published the book, which I hope not only shows that nature photograph­y can be created locally, but also explains the techniques I developed. The book is available on my website, www.paulhobson.co.uk.

 ??  ??
 ??  ?? 02 03 INFRARED TOADSTOOLS A converted Canon EOS-1D Mark II N was used to create this infrared shot Lens Canon ef 100mm f/2.8l Macro is Exposure 1/3 sec, f/8, iso1600 04 RED AUTUMN TOADSTOOL BOKEH The Canon Extender EF 1.4x converter was used to increase the reach of this lens Lens Canon ef 180mm f/3.5l Macro USM Exposure 1/4000 sec, f/5, iso800
02 03 INFRARED TOADSTOOLS A converted Canon EOS-1D Mark II N was used to create this infrared shot Lens Canon ef 100mm f/2.8l Macro is Exposure 1/3 sec, f/8, iso1600 04 RED AUTUMN TOADSTOOL BOKEH The Canon Extender EF 1.4x converter was used to increase the reach of this lens Lens Canon ef 180mm f/3.5l Macro USM Exposure 1/4000 sec, f/5, iso800
 ??  ?? 03 02 01 TOADSTOOL STEEL MILLS This image always reminds me of the steel mills that used to light up Sheffield’s east end in the 1970s Lens Canon ef 100mm f/2.8l Macro is Exposure 1/500 sec, f/9, iso1600 02 SPIRITS OF THE MUSHROOM A simple torch was used to provide the backlighti­ng for this photo Lens Canon ef 100mm f/2.8l Macro is Exposure 1/3 sec, f/8, iso1600
03 02 01 TOADSTOOL STEEL MILLS This image always reminds me of the steel mills that used to light up Sheffield’s east end in the 1970s Lens Canon ef 100mm f/2.8l Macro is Exposure 1/500 sec, f/9, iso1600 02 SPIRITS OF THE MUSHROOM A simple torch was used to provide the backlighti­ng for this photo Lens Canon ef 100mm f/2.8l Macro is Exposure 1/3 sec, f/8, iso1600
 ??  ?? 04
04

Newspapers in English

Newspapers from Australia