Photo Plus

Inspiratio­ns

Stunning imagery from the world of Canon photograph­y

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Come face to face with these striking Canon portraits from our monthly Photocrowd competitio­n

01 UNTITLED BY JIŘÍ ŠNEIDER

A haunting portrait that begs so many questions. Who is the child, why is the child behind a cage, what are those big almond eyes saying? On a technical level the image also boasts fantastic isolation, even at f/4.5, and Šneider has absolutely nailed focus, despite shooting through fencing.

Canon EF 70-200mm f/2.8l USM

Exposure 1/250 sec, f/4.5, ISO400

02 BLACK PERPETUAL BY TEMIDAYO JOHNSON

“I had Rume (the model) over at the studio and we were experiment­ing with different looks but none captured how his skin looked,” says Johnson of the contest’s winning shot. “I decided to go through my prop stash. I went with this wooden neck piece and placed it over his face.”

Lens Canon ef 24-105mm f/4l is usm

Exposure 1/100 sec, f/9, iso100

03 FALL REFLECTION­S BY TODD MERICA

“This was early fall (October) and I wanted something different,” says Merica. “I knew the trees across the lake had changed to a golden yellow, so I timed it right for the reflection­s.” When asked of the challenges, he concedes that it was difficult to get low enough for the reflection­s without getting wet – and praises his very dedicated model!

Lens Canon ef 70-200mm f/2.8l is usm

Exposure 1/125 sec, f/3.5, iso100

04 MAN ABOUT TOWN BY ANDREW ROBERTSON

This stunning example of narrative street photograph­y was taken in Soho, London. However, the wonderfull­y shallow depth of field doesn’t just isolate the subject literally and narrativel­y; it obscures the background enough that the image could have been taken anywhere.

Lens Canon ef 85mm f/1.2l ii usm

Exposure 1/320 sec, f/1.2, iso1250

05 CAMBODIAN OLDTIMER BY STEFAN NIELSEN

“I visited a small Cambodian village and saw this man sitting in a doorway,” recalls Nielsen. “I instantly knew I had to take his picture as I just loved the expression on his face.” To achieve the crunchy HDR look, it was a fairly basic process – a simple Raw conversion in Lightroom, then a black-andwhite conversion in Silver Efex Pro.

Lens Canon ef 70-200mm f/4l is usm

Exposure 1/200 sec, f/5.6, iso400

06 YES MISS BY ZOE HATTON

“While we were waiting for the rest of our party I spotted a school group being shouted at by their teacher through a megaphone,” says Hatton, of this brilliant capture taken at Chengdu Panda Centre in China, moments before the group moved away. “This guy stood out for me with such a miserable face.”

Lens Canon ef-s 55-250mm f/4-5.6 is Stm

Exposure 1/160 sec, f/5.6, iso2500

07 TOGETHER TILL THE LAST LIGHTS OF THE DAY BY MARCO TAGLIARINO

The image that brought a genuine smile to our face is this shot by Marco Tagliarino – who was recently crowned Photograph­er of the Year by our sister publicatio­n, Digital Camera. Shot on the full extension of his trusty 70-200mm lens, he captures the cheerful farewell smiles of these happy commuters at the end of a work day.

Lens Canon ef 70-200mm f/2.8l is ii usm

Exposure 1/500 sec, f/2.8, iso320

08 THE TINY HERDSWOMAN BY SANKET KHUNTALE

Shot on the wide end of the Tamron 15-30mm, this fantastic environmen­tal portrait is a perfect example of an image that disproves the rule about not shooting portraits with a wide-angle lens!

Lens tamron Sp 15-30mm f/2.8 di VC usd a012

Exposure 1/5000 sec, f/2.8, iso125

09 FOUND BY CLEMENTINA CABRAL

Many photogs try to achieve the high-end beauty look, but end up with plastic-looking skin with no detail, this shot is the opposite because of texture – the patches of dirt, creases in the skin, patterned freckles, the tonality of the hair… it adds up to a perfect portrait full of tactility and character.

Lens Canon ef 200mm f/2.8l usm

Exposure 1/250 sec, f/4, iso800

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