Photo Plus

Blue Angels

James proves that old habits die hard when it comes to photograph­y as he captures majestic metal birds in flight

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All’s quiet looking over a beautiful beach and ocean view. There’s only the whisper of a gentle breeze spreading through the delicious air. Suddenly, instantly, I’m rocked by an earth-shaking blast, followed by the blazing roar from the fire streaking afterburne­rs. The decibels quickly diminish as a Blue Angel F/A-18 Super Hornet evaporates into the distance.

The Fort Lauderdale 2019 Air Show has started. Other flying machines make their

appearance, including the incredible Lockheed Martin F22 Rapture. But nothing thrills quite like the performanc­e of the elite fighter demonstrat­ion teams, whether it be the Navy Blue Angels or the Air Force Thunderbir­ds.

As a very young lad living in Holland my father took me to an air show, and I still recall being shaken and marvelled at seeing my first jet fighter. Not long after immigratin­g to the States and becoming a citizen, I was drafted for the Vietnam War. I went into the Air Force, and it was then when I got to see the Thunderbir­ds and Blue Angels perform in the same show. Near the end of my four-year tour, stationed in Las Vegas, I got to see the Thunderbir­ds practice daily in their F-4E Phantoms. Around 1990, I took my son to an air show on Cape Cod, and photograph­ed majestic Thunderbir­ds flying the F-16/A Fighting Falcons.

At that time, we were of course shooting film so didn’t have the luxury of reviewing the images on the rear LCD like we do today. Neverthele­ss

the film shoot turned out well. I likely took the Falcons on Ektachrome 100 film.

For the 2019 Air Show I used my Canon 5DS R and EF 70-200mm f/2.8l IS II USM lens. For some of the shots I used a 2x teleconver­ter to get that extra reach, which worked surprising­ly well.

I positioned myself on the beach under a shade palm, about a mile from centre stage. My optimum settings at the time were ISO100, an aperture of f/5.6 and a shutter speed of 1/640 sec shooting Raw and of course with image stabilizat­ion turned on. Unfortunat­ely, the planes were too fast to autofocus on, so I opted instead to focus manually which gave me much more reliable results.

Thinking back on it, I realize I had not set my camera to multiple exposure mode, and I didn’t take that many photograph­s. It seems, instinctiv­ely, I relied on my experience with film to make every shot count, and the results speak for themselves. I encourage every avid photograph­er to consider that the best results may well depend on your equipment, but more so on your skill and experience. Happy shooting to all!

The best results may well depend on your equipment, but more so on your skill and experience

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 ??  ?? 02 PERFECT FORMATION A perfectly clear view of the first four Blue Angels Lens Canon ef 70-200mm & extender ef 2x iii Exposure 1/800 sec, f/5.6, iso100 03 gaining altitude The underside of one of the Blue Angels is revealed Lens Canon ef 70-200mm & extender ef 2x iii Exposure 1/500 sec, f/5.6, iso100 04 aerial ACROBATICS A wider shot showing the rear plane splitting from the pack Lens Canon ef 70-200mm & extender ef 2x iii Exposure 1/500 sec, f/5.6, iso100
02 PERFECT FORMATION A perfectly clear view of the first four Blue Angels Lens Canon ef 70-200mm & extender ef 2x iii Exposure 1/800 sec, f/5.6, iso100 03 gaining altitude The underside of one of the Blue Angels is revealed Lens Canon ef 70-200mm & extender ef 2x iii Exposure 1/500 sec, f/5.6, iso100 04 aerial ACROBATICS A wider shot showing the rear plane splitting from the pack Lens Canon ef 70-200mm & extender ef 2x iii Exposure 1/500 sec, f/5.6, iso100

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