Photo Plus

Colour and light

Discover how white balance affects the different ways that colours are captured

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White balance is something that most of us take for granted – we trust the camera to get the colour right for us in many photos. When a subject is illuminate­d by light, its colour is impacted by the colour of the illuminati­ng light. Humans see a sheet of paper as white regardless of whether it is illuminate­d with daylight, tungsten light, or fluorescen­t. White balance is the process the camera uses to give a good representa­tion of the subject under a variety of light sources. The process is complicate­d when there’s multiple different light sources. A portrait by a window might have warm tungsten light in the room, daylight from the window and a flash on the camera all illuminati­ng the subject with different colours of light.

Automatic white balance is evaluated after the picture has been captured, and before it is written to the memory card. Cameras break the scene in to many small sections determinin­g the white balance for each, then consider how to achieve a realistic overall result, possibly using different white balance in different sections of a single frame.

If you shoot in Raw, then the white balance can be changed after the shot is taken. Also the software you use applies different algorithms to determine the white balance. You may see a subtle difference between Adobe, Capture One and Canon versions of white balance from the same Raw.

Camera white balance presets guide the camera towards specific light sources, though there’s still some evaluation of the light. If you need a specific white balance for all your shots you can either use a reference card to set a custom white balance, or if your camera allows, you can enter a specific temperatur­e in Kelvin.

To create a custom white balance you need to shoot a neutral test chart. A grey card is ideal, but you can use a white sheet of paper. Once captured go to the camera menu and it will allow you to determine the custom balance from your test card photo. Then choose custom white balance and that same balance is applied to subsequent shots. This can help when subjects are in mixed or challengin­g light, as you’ll be choosing the primary light for the scene by whatever is illuminati­ng the grey card. You can also select a white balance to warm or cool shots.

 ??  ?? A Spyderchec­kr grey card panel provides a white balance reference point for post-processing later on in the workflow
A Spyderchec­kr grey card panel provides a white balance reference point for post-processing later on in the workflow
 ??  ?? Changing white balance of Raw images is possible after the shot is captured. From left to right, Auto, Cloudy and Fluorescen­t WB
Changing white balance of Raw images is possible after the shot is captured. From left to right, Auto, Cloudy and Fluorescen­t WB

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