Photo Plus

CANON RF 16mm F2.8 STM £319/$299

This ultra-wide-angle prime is remarkably compact, especially considerin­g its fast f/2.8 aperture

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One of the joys of a camera like the EOS RP is that it’s wonderfull­y compact and lightweigh­t for a fullframe body. The same can’t be said of many Rf-mount lenses, which put image quality before size and weight considerat­ions. The RF 16mm redresses the balance, with its featherwei­ght 69x40mm, 165g constructi­on. That’s pretty astonishin­g, given its ultra-wide-angle 16mm focal length and fast f/2.8 aperture.

Stepping motor-based autofocus is near-silent and combines rapid performanc­e for stills with smooth transition­s for movie capture. With a minimum focus distance of just 0.13m, you can get in really close and exaggerate perspectiv­e effects, making full use of the short focal length.

Unlike some RF lenses, there’s no separate customizab­le control ring, but the manual focus ring can take on alternativ­e duties in autofocus mode, like stepless (de-clicked) aperture control for shooting landscape movies. Build quality feels very good but, as you’d expect at the price, there are no weather-seals. Typical of non-l-series Canon lenses, the hood is sold separately, but is worth having to reduce ghosting and flare.

Performanc­e

Sharpness across most of the frame is very good when shooting wide-open but it pays to stop down to between f/5.6 and f/11 if you want to maximize sharpness out to the edges and corners. Barrel distortion is frankly so appalling that uncorrecte­d images have a more fisheye look to them. In fairness, though, many lenses for mirrorless cameras rely heavily on in-camera correction­s.

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