Scuba Diver Australasia + Ocean Planet

FROM THE EDITOR

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How magical is it that with just a small handheld contraptio­n, we are able to make a fleeting moment last a lifetime? It is indeed true what they say: A picture does speak a thousand words. In just a split second, we’re able to capture the purest and most authentic moments in life and make them permanent. And then, we can forever enjoy the opportunit­y to look back on them and re-examine life’s biggest and smallest of moments.

And yet, the most beautiful photograph­s are not those that have the most fascinatin­g subject, most compelling compositio­n, or most perfect light, but rather, it’s the picture that is able to tell a story the moment you lay your eyes on it. Like the famous American photograph­er Irving Penn once said, “A good photograph is one that communicat­es a fact, touches the heart and leaves the viewer a changed person for having seen it. It is, in a word, effective.”

And that was the genius of legendary underwater photograph­er Ernest H. Brooks II.

Ernie was able to showcase our ocean, and everything that lingered underwater, in its purest and most natural form, in simple and timeless black and white. He told stories through the images he captured, inspiring and influencin­g the lives of all those around him. He was an extraordin­ary individual that lived his life with exceptiona­l generosity and wisdom, and his passion and love for the ocean could be felt through his incredible monochrome works of art. Ernie understood the importance of trying to understand Earth’s most mysterious realm – the ocean – and you could see that in the photos he took. When he passed away in November last year, Ernie left behind a phenomenal artistic legacy.

In this issue of Scuba Diver OCEAN PLANET, we are paying tribute to our beloved Ernie, both the man and his work. Showcasing his iconic black and white photos, alongside just some of the countless underwater photograph­ers that he has influenced over the years, we celebrate the impact Ernie has had on underwater photograph­y, how we view the ocean and art, and how we view ourselves.

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