SFX

THE SURVIVALIS­T

Post- apocalypti­c The Good Life

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released 12 February 18 | 103 minutes

Director Stephen Fingleton

Cast Martin McCann, Mia Goth, Olwen Fouéré, Andrew Simpson

A largely plotless, humourless, low- budget, unrelentin­gly grim post- apocalypti­c flick filmed in a forest. Not sounding promising, is it? Probably another of those endless zombie movies that look like a bunch of mates playing The Walking Dead down the woods.

But no. The Survivalis­t may be minimalist but it also proves that you can take any tired old genre and give it new energy if you approach it with intelligen­ce, style and commitment. Be warned, though. This Northern Irish indie is an arthouse post- apocalypse: think The Road or Andrei Tarkovsky’s Stalker. Little happens for a lot of the time; dialogue is sparse; the drama is largely channelled through nuance.

In an indetermin­ate future where the world population has plummeted after running out of food due to oil petering out, a never- named survivalis­t ekes out an existence in the backwoods, growing his own food and recycling looters as manure. Paranoid and suspicious, he’s wary when a mother and daughter arrive at his hut offering sex in exchange for food, but eventually his loins overcome his sense. It’s a decision he may regret....

Edgy, nervy and told primarily through images and the subtle expression­s of a damned fine cast, The Survivalis­t has surprising­ly lush cinematogr­aphy and lighting which at first seems at odds with its bleak subject matter, but makes a refreshing change from the perceived wisdom that “gritty” post- apocalypse­s need to be bleached out. The brutality and animalisti­c, untitillat­ing sex have more impact in such a visually poetic setting.

The Survivalis­t is not an easy watch, perhaps a little bit too one- note, and begins to lose coherence and integrity as it becomes more plot- led in an attempt to create a climax. But make no mistake, director Stephen Fingleton is a talent to keep your eye on. Dave Golder

Stephen Fingleton has been nominated for a Bafta for The Survivalis­t, in the Outstandin­g Debut category.

 ??  ?? Ken blatantly ignored the paintball rules.
Ken blatantly ignored the paintball rules.

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