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Ian Berriman recalls his salad days with Doctor Who Weekly.

- Ian Berriman, Reviews Editor Ian Berriman still hasn’t mastered Mr Bellamy’s floating liquorice trick.

There’s only one magazine I own a complete run of: Doctor Who Weekly, all 43 issues lovingly assembled via eBay for considerab­ly more than the 12p cover price. A quick sniff of their browning pages is all it takes to transport me back to childhood. Launched by Dez Skinn, the genius behind House Of Hammer and the original incarnatio­n of Starburst, Doctor Who Weekly first hit newsagents in October 1979. It wasn’t perfect. Reprinting old Marvel adaptation­s of HG Wells stories was a bit of a swizz, and I could have done without the regular page of “fascinatin­g facts” like how long it takes to boil an ostrich egg. But in three areas it was a triumph.

Firstly, the lead strip, created by the likes of Dave Gibbons, Pat Mills and John Wagner. It had a sense of scale unachievab­le on TV, with say, futuristic tanks rolling through English villages or giant monsters attacking Daleks. Yet it was grounded too. I particular­ly love “The Star Beast”. Kicking off in the fictional Blackcastl­e, it introduces Who’s first black, female companion – Sharon, a Grange Hill-like schoolgirl – and is set in a workaday northern industrial town reality. In one scene the Doctor escapes by hopping on a double-decker bus! Just as good were the Doctor-free, monster-focused backup strips. A playground for characters like Abslom Daak – a bestubbled, bandolier-bedecked bruiser who sliced Daleks in half with his “chainsword” – they inhabited a fascinatin­gly darker, bleaker universe. An image of an evilly leering Auton, half its face melted off, is scorched into my psyche. That particular strip was penned by a chap called Alan Moore. But perhaps most exciting was the feature content, overseen by Doctor Who Appreciati­on Society maven Jeremy Bentham. Here, for the first time, you could read synopses of black-and-white TV adventures like “The Sensorites” – which I believed I’d never have the slightest chance of seeing, and were therefore steeped in awe-inspiring mystery. After issue 43, the Weekly emerged from its chrysalis as a Monthly. That later evolved again into Doctor Who Magazine, which this month celebrates its 500th edition. It’s a remarkable achievemen­t, and we take our hat off to all the editors, designers and writers who’ve kept the flame burning through the decades.

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