SFX

STRIP TRIPS

The French comic strip that dreamt a universe

- Paul Gravett

When Valerian debuted on 9 November 1967 in issue 420 of Pilote, the weekly anthology was home to super-powered Gallic rebel Asterix and atypical Western hero Lieutenant Blueberry, and science fiction was largely absent from French comics. The genre’s main predecesso­rs in France were the earnest post-war serial Les Pionniers de

l’Espérance and the strictly adults-only Barbarella. So in Valerian’s almost virgin territory, writer Pierre Christin and artist Jean-Claude Mézières unveiled a distinctly French and fresh vision of tomorrow, one undeniably influentia­l on comics and movies to come.

The Frenchmen had been childhood friends and avid readers of the masters of science fiction. In 1965 they reconnecte­d in the USA, where Christin was a university teacher of French literature and journalism in Salt Lake City, and Mézières, a jobbing illustrato­r, had escaped to pursue his dream of experienci­ng the working life of a cowboy. Out of this came their first collaborat­ive comics for

Pilote and, back in France, their first Valerian serial, a colour double-spread that ran for 15 weeks.

Christin set out not to imitate his much-loved authors, but build on their examples. “I wanted to follow Asimov into a vision of a universe that stretched very far, like a window into the unknown. We could tell stories about anything!” he said. And as Mézières recalled, “We were trying to make the opposite of American comics.”

From the start they would reverse the usual gender roles of macho action man and damsel-in-distress. Valerian, their timetravel­ling, square-jawed lead, finds himself in 11th century France, trapped inside a giant leaf, only to be saved by a resourcefu­l peasant girl. Laureline becomes his guide, companion and a spirited, sensitive, sensual woman who is also remarkably adaptable after being transporte­d to the wonders and dangers of Valerian’s 28th century future. Dazzlingly imagined,

Valerian was among the French graphic novels that became design bibles in Hollywood studios in the ’70s. Asked in 1983 about whether Valerian should be adapted into a movie, Mézières only half-joked, “No, it’s been done already, that’s Star Wars!”

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