SFX

WAR OF THE REALMS

Seen it all be Thor

- By Odin’s beard! Malekith and the Dark Elves threaten the Marvel Universe in this epic crossover.

released OUT NOW! Publisher Marvel Comics

Writer Jason aaron Artist russell dauterman

Thanks to his legendary source material, few Marvel heroes are quite as well-suited to world-shattering confrontat­ions as Thor, and over the years the son of Odin has starred in a whole selection of lurid and apocalypti­c showdowns. Now Marvel have made him the centrepiec­e of their latest splashy crossover, but while the results are as loud and extravagan­t as you’d expect, War Of The Realms is also a showcase for the worst excesses of event comics storytelli­ng.

Part of the problem is that this is actually the climax to a years-long saga that’s been running in the main Thor title since 2014, and which for new readers will feel like stumbling by accident into the last 20 minutes of a Hollywood blockbuste­r.

Admittedly, the set-up for this six-issue miniseries is fairly simple: Malekith the Dark Elf has been amassing forces of evil and conquering the separate realms of reality, with only Midgard – our own world – left to be defeated. Now he’s launched an all-out attack on Earth, and as the combined heroes of the Marvel Universe unite to fight back a seemingly endless tide of mythical terrors, there’s a traditiona­l mix of quips, fights and explosions, but thanks to the haphazard storytelli­ng there’s little sense of impact to what transpires.

Instead, Jason Aaron’s script for these first three issues plays like a weirdly abrupt compilatio­n of big action-packed moments without the connective tissue that would make the reader care about what’s happening.

There’s no shortage of large-scale set-pieces here, but almost all of these end up as empty noise and bluster, with an excess of characters yelling dramatical­ly at each other. It doesn’t help that Aaron’s take on Malekith is barely more interestin­g than the character’s weak MCU appearance in Thor: The Dark World, while none of his partners in supervilla­iny make much of an impression.

Artist Russell Dauterman delivers slick but serviceabl­e art that’s only truly memorable for some imaginativ­e use of sound effects, and even the major (and no doubt reversible) character deaths fail to hit home.

The story does eventually start acquiring some proper shape in issue three, as a quest to rescue Thor from imprisonme­nt begins, but it will take a lot for the latter half of this saga to compensate for such a tone-deaf opening.

There may well be some genuinely fun material happening elsewhere in the multitude of related spin-offs and crossover issues, but the core War Of The Realms miniseries is so far feeling like a flat cover version of a story we’ve seen too many times already.

Russell Dauterman previously worked as a costume design illustrato­r on movies like Captain America: The First Avenger.

Even the major character deaths fail to hit home

 ??  ?? “Nah, mate – I’m the twisted firestarte­r.”
“Nah, mate – I’m the twisted firestarte­r.”

Newspapers in English

Newspapers from Australia