Sound+Image

MUNICH HIGH END

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Our pick of this year’s intriguing and unaˆordable wonders on show

Asmall drop in visitor numbers was blamed on the sunny weather, but High End Munich in May this year continued its reputation for hosting the highest-end and most eye-wateringly­priced audio equipment on earth.

The image above shows the wellappoin­ted room used by Netherland­sbased Kharma to demonstrat­e a milliondol­lar system with its new speakers, the Enigma Veyron EV4-D speakers, paired with Enigma Veyron electronic­s — and some rather impressive bamboo side diffusers, also from Kharma. The new EV4-D speakers on show continue Kharma’s implementa­tion of its Omega F drivers, the F standing for ‘0-Foucault currents’, because absolutely no iron is used in the magnet motor-system. The EV-4D uses one 7-inch and twin 11-inch Omega F drivers, topped by 1-inch and 2-inch concave diamond tweeters. The Kharma brand is distribute­d in Australia by Audio Magic: www.audiomagic.com.au

Arcam had already shown prototype new amplifiers at the start of 2018 in Las Vegas, as part of its HDA range, and had the SA20 (below) in more finalised form at High End 2018, along with a new streamer/CD player, the CDS50, aimed as direct replacemen­t to the CDS27, again including UPnP and CIFS streaming up to 24-bit/192kHz in addition to CD and SACD playback from the disc transport. The SA20 amplifier is intended as a replacemen­t for the company’s current A29, and uses the company’s hybrid Class G amplificat­ion, while a lower model, the SA10, sticks with Class-AB, as did the A19 it will replace. Arcam is distribute­d in Australia by Advance Audio.

The Friday night Astell&Kern party in Munich hosted by iriver saw the launch of not only two new high-res players but two whole new lines of players, completing a full refresh which began last year with the SP1000. That SP1000, launched last year at Munich, introduced the flagship ‘A&ultima’ range. iriver has now added the SE100 (pictured left), first player from a stylish new premium ‘A&futura’ line, and the SR15 from a new standard line to be titled, a trifle less excitingly, the ‘A&norma’ line.

The A&futura SE100 premium status includes a slim aluminium-alloy body with diamond-patterned glass back plate, while inside it’s equipped with the ESS SABRE ES9038Pro DAC, with four-channels of dedicated processing per left and right channel, playing files up to 32 bit/384kHz PCM audio and Quad DSD natively. It features an updated amplifier design and noise control technologi­es, an Octa-core CPU, five-inch touch screen, 128GB internal storage, support for fast charging, and battery life quoted around 10 hours.

The A&norma SR15 is from a new “standard line”; its DAC is the Cirrus Logic CS43198, offering playback up to 24bit/192kHz PCM audio, and single-rated DSD natively, while the solid aluminium alloy body is closer to the design cues of the AK70 series.

The latest fruit of the A&K Siren Series collaborat­ion with Jerry Harvey Audio is a high-end IEM called the Billie Jean (left), featuring the patented freqphase waveguide technology from Jerry Harvey Audio in a 2-way balanced armature design. While wearing your Billie Jeans may not cause the steps beneath your feet to light up as you prowl and prance around the neighbourh­ood MJ-style, they do incorporat­e a new internal Acoustic Chamber Sound Bore design claimed to bring a wide soundstage and incomparab­le dynamic range to in-ear performanc­e. They’re already listed at $479 at www.addictedto­audio.com.au

The turntable pictured below is the long-awaited Synergy turntable from British engineerin­g and specialist high-end audio company SME, finally revealed at Munich, and promised for release in October. The Synergy comes complete with a magnesium tonearm fitted with a moving-coil cartridge and a built-in phono stage — while the turntable is completely new, the arm is the highly acclaimed SME Series IV. The cartridge is an ‘exclusive series’ Ortofon MC Windfeld Ti, fitted with a Replicant 100 diamond stylus.

The SME Synergy’s main chassis is machined from a solid billet of premium-grade aerospace aluminium, supported by four large polymer isolators inside adjustable feet; the 4.6kg platter is itself machined from aluminium alloy damped with an isodamping material exclusive to SME. The reflex clamp ensures the largest possible platter contact, even with warped records.

It’s driven by a three-phase, brushless out-runner motor with eightpole neodymium magnets and three integrated Hall Effect sensors whose three speeds are adjustable, with final speed maintained by a high-performanc­e microproce­ssor optimised for motor control.

The ultra-compact battery-powered phono stage made for SME by Nagra and is housed within the Synergy’s main chassis. It uses individual­ly selected and matched bipolar transistor­s combined with audiophile-quality capacitors and precision MELF (Metal Electrode Leadless Face) resistors, with the MC input transforme­rs designed and wound in-house by Nagra.

Pure Music Group distribute­s SME in Australia, and informs us that the SME Synergy is to retail here for $26,800. For more informatio­n, contact them via www.puremusicg­roup.com.

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 ??  ?? Audiolab showed the 6000A amplifier and 6000CD CD transport (pictured), its successful M-DAC and new M-DAC mini, while also pushing into new headphone territory with M-EAR 2D and 4D models created in collaborat­ion with ACS Custom, a UKbased in-ear specialist.
Audiolab showed the 6000A amplifier and 6000CD CD transport (pictured), its successful M-DAC and new M-DAC mini, while also pushing into new headphone territory with M-EAR 2D and 4D models created in collaborat­ion with ACS Custom, a UKbased in-ear specialist.
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 ??  ?? All hail the Relentless Monoblock amplifier from Dan D’Agostino Master Audio Systems! It’s the result of Mr D’s desire to deliver an amplifier that maintains its harmonic integrity and expansive soundstage from 0 to 1500 watts (or 6000W into two ohms), no matter how demanding the speaker load it may be presented with. Its 5.5kW power supply feeds a custom-designed rectifier circuit and a 600,000uF/100V capacitor bank, with D’Agostino’s exclusive high-voltage Super Rail concept making maximum use of these remarkable resources to feed roughly 100 output devices. It maintains the sheer gorgeousne­ss of DD’s designs, with the copper and aluminium of the heatsinks, massive binding posts made from gold-plated brass, and a new eight-inch power meter on the front, glowing in gorgeous green. Nice. Dan D’Agostino’s range is handled in Australia by Advance Audio: www.advanceaud­io.com.au
All hail the Relentless Monoblock amplifier from Dan D’Agostino Master Audio Systems! It’s the result of Mr D’s desire to deliver an amplifier that maintains its harmonic integrity and expansive soundstage from 0 to 1500 watts (or 6000W into two ohms), no matter how demanding the speaker load it may be presented with. Its 5.5kW power supply feeds a custom-designed rectifier circuit and a 600,000uF/100V capacitor bank, with D’Agostino’s exclusive high-voltage Super Rail concept making maximum use of these remarkable resources to feed roughly 100 output devices. It maintains the sheer gorgeousne­ss of DD’s designs, with the copper and aluminium of the heatsinks, massive binding posts made from gold-plated brass, and a new eight-inch power meter on the front, glowing in gorgeous green. Nice. Dan D’Agostino’s range is handled in Australia by Advance Audio: www.advanceaud­io.com.au
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 ??  ?? The reel-to-reel resurgence is always most visible at High End Munich, and the above extraordin­ary example comes from Metaxas & Sins, headed by former Melburnian Kostas Metaxas. Despite its stunning appearance, the ‘GQT’ (Georges Quellet Tribute) open reel-to-reel recorder pictured above is designed as a portable machine for onlocation recording as well as for home or studio playback. The Georges Quellet reference credits the founder of Stellavox, and points to the design cues taken here from the classic Stellavox SM8 portable, which is considered by many profession­al engineers to provide the most transparen­t and three-dimensiona­l sound of any portable. The Metaxas variation has, we gather, the full blessing of Stellavox’s founder M. Quellet.
The reel-to-reel resurgence is always most visible at High End Munich, and the above extraordin­ary example comes from Metaxas & Sins, headed by former Melburnian Kostas Metaxas. Despite its stunning appearance, the ‘GQT’ (Georges Quellet Tribute) open reel-to-reel recorder pictured above is designed as a portable machine for onlocation recording as well as for home or studio playback. The Georges Quellet reference credits the founder of Stellavox, and points to the design cues taken here from the classic Stellavox SM8 portable, which is considered by many profession­al engineers to provide the most transparen­t and three-dimensiona­l sound of any portable. The Metaxas variation has, we gather, the full blessing of Stellavox’s founder M. Quellet.
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