Sound+Image

More than just one Sonetto...

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Sonus faber has used High End in Munich to announce a new ‘Sonetto’ collection with eight models. It inherits from the Olympica Collection a top in natural leather handsewn and embellishe­d by the branded Sonus faber logo (see below), and also the so-called “Voice of Sonus faber” configurat­ion of DAD (Damped Apex Dome) tweeter and natural fibre midrange cone, a combinatio­n previously only available on the higher Olympica, Homage and Reference collection­s. The Sonetto collection comprises three floorstand­ers (Sonetto VIII, Sonetto V and Sonetto III), two standmount/bookshelf models (Sonetto II and Sonetto I), the Center I, and the Sonetto Wall, an onwall speaker for use as main stereo, multichann­el surround or LCR solution. The simultaneo­us release of this on-wall option with the more convention­al box speakers at this level brings a useful versatilit­y to the Sonetto range. Manufactur­ing will be undertaken entirely in Sonus faber’s factory in Vicenza, Italy.

Sonus faber R&D manager Paolo Tezzon explains the Sonetto concept, saying: “Sonetto is what I like to call a ‘democratic’ range of loudspeake­r systems because it is about aiming to the highest quality in music reproducti­on within a cost conscious package.”

Sonus faber is distribute­d in Australia by Synergy Audio Visual; for more informatio­n visit www.synergyaud­io.com

German speaker company ELAC first showed the Concentro M (pictured left), the smaller version of its ‘ultimate speaker’, at High End 2017; this year it was on active demonstrat­ion, looking a little Blade-like with its JET 5 tweeter concentric­ally embedded within the crystal-like AS-XR driver. ELAC also had a whole new VELA range of speakers to announce. ELAC is distribute­d here by Synergy Audio.

Meanwhile FinkTeam, born from the design consultanc­y run by Karl-Heinz Fink, confirmed its new and more affordable loudspeake­r slightly worryingly (for Star Trek fans) called ‘Borg’. Pictured right, it’s a two-way floorstand­ings tan ding standing design featuring a 10.25- inch high-power mid/bass driver and an AMT (aka JET, above) tweeter using a strong 25 m pleated Kapton diaphragmp­hragm phragm with 50 m aluminium strips. While crossing from such a large bass driver to this kind of tweeter is no easy task, FinkTeam laughs off the problem, saying “a technical challenge is just a design exercise that may take a little longer to solve...”

The above image shows the High End Munich demonstrat­ion room for French company Trinnov Audio, whose Altitude16 home cinema processor and Amplitude8­m amplifier we reviewed last issue. The room aimed to show the benefit of optimising the room acoustics, and of doing it in the electronic domain, but also with room treatment from art novian, with which the company has previously partnered, and whose products are available in Australia through the same distributo­r, Cogworks. Vinyl was played on an Origin Live turntable through an AS Audiospeci­als preamp, while another longtime show partner German speaker company Bohne Audio delivered the striking B12 speakers with additional 18-inch subwoofers in support — the company’s Markus Wierl is shown in the picture. Other presenters included Stefan Bock, MD of MSM Studios, pioneers in creating high-resolution audio content and immersive content in particular across Dolby Atmos, DTS:X and Auro:3D, here presenting violinist Alessandro Quarta delivered in Pure Audio format. For more informatio­n on Trinnov Audio in Australia, visit www.cogworks.io

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 ??  ?? SPEAKERS CORNER: High-end speakers were, as ever, well represente­d among the halls and suites at High End Munich. Wilson Benesch took its carbon-fibre Geometry series to new levels with the ‘Eminence’ (pictured le€), higher even than the Cardinal, with Australian pricing expected to be above a quarter of a million dollars. They weigh 145kg each, with a quarter of that from the foot, which is computer-milled from a solid 100kg aluminium billet, while the 2.5-way enclosure hosts 10 drivers, including the company’s Fibonacci silkcarbon hybrid tweeter with its geometric carbon-fibre waveguide. Info: www.absolutehi­end.com
SPEAKERS CORNER: High-end speakers were, as ever, well represente­d among the halls and suites at High End Munich. Wilson Benesch took its carbon-fibre Geometry series to new levels with the ‘Eminence’ (pictured le€), higher even than the Cardinal, with Australian pricing expected to be above a quarter of a million dollars. They weigh 145kg each, with a quarter of that from the foot, which is computer-milled from a solid 100kg aluminium billet, while the 2.5-way enclosure hosts 10 drivers, including the company’s Fibonacci silkcarbon hybrid tweeter with its geometric carbon-fibre waveguide. Info: www.absolutehi­end.com
 ??  ?? Dynaudio’s revised Confidence range brings four new models (the C60 is pictured right) and also boasts brand-new drivers – including the new Esotar3 tweeter and a newly developed ‘DDC Lens’ system working in tandem with new high-power NeoTec drivers, an innovative midrange driver basket and Horizon surround, all in a precision-machined composite ba—le and innovative cabinet design announced as the most advanced passive loudspeake­r range in Dynaudio history. Meanwhile Australian distributo­r BusiSo€ AV won Dynaudio’s Distributo­r of the Year second time running: www.busiso€.com.au
Dynaudio’s revised Confidence range brings four new models (the C60 is pictured right) and also boasts brand-new drivers – including the new Esotar3 tweeter and a newly developed ‘DDC Lens’ system working in tandem with new high-power NeoTec drivers, an innovative midrange driver basket and Horizon surround, all in a precision-machined composite ba—le and innovative cabinet design announced as the most advanced passive loudspeake­r range in Dynaudio history. Meanwhile Australian distributo­r BusiSo€ AV won Dynaudio’s Distributo­r of the Year second time running: www.busiso€.com.au
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