Street Machine

CANNONBALL 1976

> SEE THE PILE-UP OF THE CENTURY!

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HOT on the heels of his uber-successful TV series Kung Fu, David Carradine slipped on his best pair of moccasins to play Coy ‘Cannonball’ Buckman in Cannonball. Buckman is a profession­al racing car driver looking to get back on the circuit after a heavy fall from grace. He is not long out of prison and itching to claim the $100K kitty on offer for the winner of the Trans-america Grand Prix, an illegal road race from Los Angeles to New York.

His sleazy older brother Bennie (Miller) locks down a 1970 Trans Am for the event and sets about organising a number of dodgy deals and often-deadly foul play to ensure Cannonball comes out on top, all in an attempt to line his own pockets.

But Bennie doesn’t count on wildcard entrant and Cannonball’s arch-enemy, Cade Redman (Mckinney) in his menacing ’68 Dodge Charger, to have an agenda of his own, and it’s soon apparent that Bennie has also underestim­ated the remaining motley but determined racers who are all keen to claim that first-prize booty.

Cannonball is joined by his girlfriend-cum-parole officer, Linda (a breakout role for the smokin’ hot Veronica Hamel, best remembered as Joyce Davenport in Hill Street Blues), who reluctantl­y rides shotgun but turns a blind eye to her career responsibi­lities once Cannonball’s life is threatened.

The pair is aided by Cannonball’s best friend and mechanic, Zippo (Hahn), who fronts up in a matching Trans Am to run as a decoy in the hope of giving his mate a fighting chance.

Cannonball was Carradine’s second collaborat­ion with director Paul Bartel, following on from their cultclassi­c Death Race 2000 in 1975, but this time ’round they planned for a light-hearted version of the road-race concept. It was pegged as an action/comedy/drama, but actually the ‘comedy’ element is pretty much nonexisten­t here. The dark slant Bartel brought to Death

Race must have been hard to shake, as the film climaxes with a fiery freeway pile-up that is pretty grisly to watch and feels like a totally unnecessar­y inclusion.

VERDICT: 2/5

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